Hugh Jackman

Rating: 5.0/5.0

CHICAGO – Tom Hooper’s “Les Misérables,” the best movie musical in over a decade, is what a musical like this should be – unabashed, unashamed emotion painted in vibrant, broad colors across a massive screen. It is gloriously bereft of the cynicism that has sapped so many stage-to-film adaptations from achieving the heights of their source material and features some of the most striking performances in the history of the genre.

Rating: 3.0/5.0

CHICAGO – Okay, we get it. The current crop of animators can create amazing worlds, full of sensory-expanding images and visions of magical awe (and in 3D). But, if there is a dull story interacting with the eye candy, it can feel like a fancy cake that tastes like sawdust. Chris Pine, Alec Baldwin, Isla Fisher Jude Law and Hugh Jackman lend their voices to “Rise of the Guardians.”

Rating: 3.5/5.0

CHICAGO – Try selling a friend on paying to see a movie with you about machine-operated boxing where humans control robots for money.

Just call your friend on his Motorola DynaTAC retro brickphone and say: “Hey, Billy! Remember all those swell nights we had as kids when I smoked you every time in Rock’em Sock’em Robots with our two dueling robot boxers mechanically manipulated by us?

Rating: 1.0/5.0

CHICAGO – Wayne Wang’s “Snow Flower and the Secret Fan” is such a stunningly inert film that it’s almost worth seeing to watch a movie with no thrust whatsoever. Probably due to a language barrier, the film features two of the least effective lead performances of the year, which keeps the audience from engaging in the story emotionally and just leaves them wondering how this book became a bestseller.

Rating: 2.5/5.0

CHICAGO – How did Wolverine get to Northern Alberta, Canada, where he makes his first appearance in a bar cage match in Bryan Singer’s “X-Men”? And what about all those flashbacks to his dark past and the experiments that turned him into a legend?

Rating: 2.5/5.0

CHICAGO – Nicole Kidman, Hugh Jackman and newcomer Brandon Walters star in Baz Luhrmann’s “Australia”: a sweeping, grand epic in the tradition of “Gone With the Wind” that gets away from its talented director, the writers he worked with and the team he hired to film his passion project.

CHICAGO – Despite its timid title, “Deception” has all the right ingredients for a decent tale of mystery: a strong premise, sound acting and the famous femme fatale. It even starts with a promising conviction: How does a background player in life deal with initiation into a secret society?