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Sam Worthington

Surprises Can’t Save ‘Sabotage’ From Bloody Carnage

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The crime thriller “Sabotage” is the least predictable and most intense of the handful of post-Governator action movies Arnold Schwarzenegger has starred in. Last year’s “The Last Stand” had a sense of humor about it, along with a nod to classic Westerns, that lightened the bloody violence, but here is a gritty film that proudly displays its tattoos and adrenaline in a testosterone-laced delivery.

Loud, Boring ‘Wrath of the Titans’ Deserves Godly Vengeance

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – 2010’s “Clash of the Titans” was a surprising box office smash, making almost $500 million worldwide. That kind of money demands a sequel, but what to call it? “Clash of the Titans 2” wouldn’t be exciting enough but it should sound similar. How about “Smash of the Titans”? “Flash of the Titans”? “Bash of the Titans”? They ultimately settled on “Wrath of the Titans,” although “Trash of the Titans” or “Crap of the Titans” would have been more accurate.

Elizabeth Banks Teeters With the ‘Man on a Ledge’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – New York City. Mid-day. A man steps outside the window on the edge of the Roosevelt Hotel. Is he jumping? That’s the question that street level onlookers and moviegoers want answered from Sam Worthington, Elizabeth Banks, Jamie Bell and Ed Harris in “Man on a Ledge”

Incomprehensible Story, Uninteresting Characters Sink in ‘Texas Killing Fields’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Ami Canaan Mann’s “Texas Killing Fields” is further proof of just how difficult it is to do what David Fincher does so well. “TKF” may have echoes of “Seven” and “Zodiac” but none of the character, mood, or even cohesion of those films. The best word to describe this misstep is a “mess” as the movie jumps around between plotlines and characters and never gives the viewer the footing that would make them resonate as something worth caring about or entertaining.

Performance of Exemplary Cast Collects on ‘The Debt’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Re-imagining, almost re-engaging the evil of the Holocaust has been thoroughly examined in film for years. “The Debt” looks at another angle, that of revenge and how much that revenge can wreak havoc on the truth.

‘Clash of the Titans’ Bores More Often Than Thrills

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The unjustified remake of the ’80s camp-fest “Clash of the Titans” may have been re-purposed for the trend of 3-D but its performances are still tragically 2-D and its plot practically see-through.

Christian Bale, Sam Worthington in McG’s Disappointing ‘Terminator: Salvation’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGOMcG’s loud-and-annoying “Terminator: Salvation” with Christian Bale and Sam Worthington continues the summer of non-Trek disappointments, delivering nothing but a bloated exercise in CGI overload. With awful dialogue, a ridiculous plot, and mostly uninspired performances, the interesting human element has been drained from the franchise. The machines have won.

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  • Happy Christmas

    CHICAGO – “Drinking Buddies” director Joe Swanberg’s latest release of the same star wattage is “Happy Christmas,” an even lower-fi story than the Olivia Wilde beer comedy, steered even more by the casting that it was able to assemble. However, with this movie Swanberg doesn’t so much worry about having a story that could be confused with a more mainstream romantic comedy if it were to have a bigger budget.

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    CHICAGO – The oughts was the era of the workplace mock-doc comedy, with shows like “The Office” and “Reno 911!” born into a time where TV viewers were excited to see see fake realities about the crumminess of a job. While this series has been available in separate season collections previously, “Reno 911!” is now available in a complete series set, one that boasts a grand amount of special features content in spite of some lacking comedy in the actual show.

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