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Susan Sarandon

Susan Sarandon Plays Smother Mother in ‘The Meddler’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Some mothers are born great, others have greatness thrust upon them. The Mom of “The Meddler” – portrayed with precise intuition by Susan Sarandon – is of the greatness-of-the-future variety, by simply evolving to be herself. Rose Byrne as daughter Lori tags along.

Kevin Kline in Like Flynn For ‘The Last of Robin Hood’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The term “in like Flynn” still gets used, when delusional dudes think they have the score. The saying is a product of former matinee idol Errol Flynn, whose tastes in young girls inspired the saying. Kevin Kline portrays him, and his tastes, in “The Last of Robin Hood.”

Unfunny ‘Tammy’ is a Melissa McCarthy Misfire

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Melissa McCarthy has jumped the shark. Or if she hasn’t, she’s strapped on the skis and is contemplating the ramp. Going once more to the same character well – this time with a script co-written with her husband Ben Falcone and directed by him – McCarthy shows little originality or gumption as the title character in “Tammy..”

Turn Down the Invitation to ‘The Big Wedding’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “The Big Wedding” begins with Robert De Niro performing a particular love making maneuver on Susan Sarandon, and is caught in the act by Diane Keaton. What could have happened in a cutting-edge indie feature in 1981 is the basis of a lame bit in 2013, and so it goes for the rest of the film.

Robert Redford Focuses on ‘The Company You Keep’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The golden age of the great Robert Redford occurred in the 1970s, when he participated in making passionate political statements with “All the President’s Men,” “The Candidate” and “Three Days of the Condor.” Redford stars in and directs a throwback to those times, the equally passionate yet softer-in-narrative “The Company You Keep.”

Despite Low Expectations, Dwayne Johnson’s ‘Snitch’ Leaves You Pleasantly Surprised

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Dwayne Johnson doesn’t just want to be The Rock. And perhaps he is more after all. Despite his professional wrestling fame, “Snitch” is Johnson’s plea to be respected as a true, dramatic actor. He’s doing it now just like Jackie Chan wanted to evolve beyond being just a funny karate man in the latest “The Karate Kid”.

Richard Gere Symbolizes U.S. Morality in ‘Arbitrage’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The concept of crime and punishment is a goalpost that is constantly being moved. Justice becomes an discretionary circumstance, sold to the highest bidder. These are just a view of the happy themes in the new film “Arbitrage,” featuring Richard Gere, Susan Sarandon and Brit Marling.

Frank Langella Shines in Delightful Sci-Fi Comedy ‘Robot and Frank’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Frank’s world is fading before his eyes. With his wife gone and his children all grown up, Frank lives a reclusive existence, though he doesn’t seem to be in particular need of company. His memory may be fading, but his instincts as a retired cat burglar are still ever-present. He can’t helping stuffing a few soap figurines into his pockets while casually browsing through a store.

Adam Sandler, Andy Samberg Pulls Our Chains in ‘That’s My Boy’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Adam Sandler is just freaking with us now. His goal is obviously to create the raunchiest, sociopathic and off-putting comedies of all time, and “That’s My Boy” belongs in his Hall of Fame. The A-list cast helps out, including Andy Sandberg, James Caan, Susan Sarandon and Leighton Meester.

Jason Segel, Ed Helms in Inconsistent ‘Jeff, Who Lives at Home’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Writer/directors Jay and Mark Duplass clearly love their characters. Whether it’s the awkward man-child at the center of “Cyrus” or the title character in their new dramedy “Jeff, Who Lives at Home,” there’s a charming affection for these people. I really enjoyed spending time with the quartet of well-drawn, well-acted people in “Jeff,” which makes the fact that their story is less-structured and sloppier than it should be to be effective all the more frustrating. I SO want to love “Jeff, Who Lives at Home,” but this dude is too often stuck in the creative basement.

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  • [Trans]formation

    CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.

  • Life Sucks

    CHICAGO – Let’s face it, life does suck. But what can we do about that? How do we survive? Lookingglass Theatre Company’s latest stage presentation tries to answer those thorny questions through a group of fellow travelers, flung together at a cabin retreat, trying to figure out why (indeed) “Life Sucks.”

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