HollywoodChicago.com RSS   Facebook   HollywoodChicago.com on Twitter   Free Giveaway E-mail   

Susan Sarandon

Unfunny ‘Tammy’ is a Melissa McCarthy Misfire

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Melissa McCarthy has jumped the shark. Or if she hasn’t, she’s strapped on the skis and is contemplating the ramp. Going once more to the same character well – this time with a script co-written with her husband Ben Falcone and directed by him – McCarthy shows little originality or gumption as the title character in “Tammy..”

Turn Down the Invitation to ‘The Big Wedding’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “The Big Wedding” begins with Robert De Niro performing a particular love making maneuver on Susan Sarandon, and is caught in the act by Diane Keaton. What could have happened in a cutting-edge indie feature in 1981 is the basis of a lame bit in 2013, and so it goes for the rest of the film.

Robert Redford Focuses on ‘The Company You Keep’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The golden age of the great Robert Redford occurred in the 1970s, when he participated in making passionate political statements with “All the President’s Men,” “The Candidate” and “Three Days of the Condor.” Redford stars in and directs a throwback to those times, the equally passionate yet softer-in-narrative “The Company You Keep.”

Despite Low Expectations, Dwayne Johnson’s ‘Snitch’ Leaves You Pleasantly Surprised

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Dwayne Johnson doesn’t just want to be The Rock. And perhaps he is more after all. Despite his professional wrestling fame, “Snitch” is Johnson’s plea to be respected as a true, dramatic actor. He’s doing it now just like Jackie Chan wanted to evolve beyond being just a funny karate man in the latest “The Karate Kid”.

Richard Gere Symbolizes U.S. Morality in ‘Arbitrage’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The concept of crime and punishment is a goalpost that is constantly being moved. Justice becomes an discretionary circumstance, sold to the highest bidder. These are just a view of the happy themes in the new film “Arbitrage,” featuring Richard Gere, Susan Sarandon and Brit Marling.

Frank Langella Shines in Delightful Sci-Fi Comedy ‘Robot and Frank’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Frank’s world is fading before his eyes. With his wife gone and his children all grown up, Frank lives a reclusive existence, though he doesn’t seem to be in particular need of company. His memory may be fading, but his instincts as a retired cat burglar are still ever-present. He can’t helping stuffing a few soap figurines into his pockets while casually browsing through a store.

Adam Sandler, Andy Samberg Pulls Our Chains in ‘That’s My Boy’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Adam Sandler is just freaking with us now. His goal is obviously to create the raunchiest, sociopathic and off-putting comedies of all time, and “That’s My Boy” belongs in his Hall of Fame. The A-list cast helps out, including Andy Sandberg, James Caan, Susan Sarandon and Leighton Meester.

Jason Segel, Ed Helms in Inconsistent ‘Jeff, Who Lives at Home’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Writer/directors Jay and Mark Duplass clearly love their characters. Whether it’s the awkward man-child at the center of “Cyrus” or the title character in their new dramedy “Jeff, Who Lives at Home,” there’s a charming affection for these people. I really enjoyed spending time with the quartet of well-drawn, well-acted people in “Jeff,” which makes the fact that their story is less-structured and sloppier than it should be to be effective all the more frustrating. I SO want to love “Jeff, Who Lives at Home,” but this dude is too often stuck in the creative basement.

Shia LaBeouf, Michael Douglas Drive Energetic ‘Wall Street: Money Never Sleeps’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – After a string of disappointments that include “Alexander,” “World Trade Center” and “W,” one of the best directors of the 1980s and 1990s at least draws closer to form with the entertaining “Wall Street: Money Never Sleeps”. The film is a great vehicle for Shia LaBeouf, Josh Brolin and Michael Douglas that occasionally disappoints but crackles more often than it fizzles.

Touching ‘The Greatest’ With Carey Mulligan Transcends Melodrama

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The surprisingly good “The Greatest” opens and closes with two very different car rides — one silent and mournful and one loud and full of laughter; one on the way from death and one on the way to life. They are bookends for a well-performed tearjerker of the kind that mostly transcends its melodramatic set-up to become something genuinely moving.

Hot stories on the Web


Syndicate content

User Login

Free Giveaway Mailing

TV, DVD, BLU-RAY & THEATER REVIEWS

  • Emmy Awards, Bryan Cranston

    LOS ANGELES – It was one more lap around the victory track for the AMC-TV show ‘Breakling Bad,’ as the gritty drama about a teacher turned meth dealer took home six Primetime Emmy Awards at the 66th ceremony on August 25th. ‘Modern Family’ took home the statue for Outstanding Comedy Series for a a fifth straight year.

  • Knick, The

    CHICAGO – Cinemax’s ominous new series “The Knick” is a hospital drama that’s very much in the voice of its director, Steven Soderbergh. Set in New York City at the turn of the 20th century, the series presents the medical world as it inches closer and closer to modernity, while making contemporary parallels to the desperate hustle by surgery room clients and their doctors alike regarding treatment of the human body. What has changed in the politics of medicine? What hasn’t?

Advertisement


HollywoodChicago.com on Twitter

archive

HollywoodChicago.com Top Ten Discussions
referendum
tracker