Viola Davis

On-Air Review of ‘The Hunger Games: The Ballad of Songbirds & Snakes’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Dan Baker on WBGR-FM (Monroe, Wisconsin) on November 16th, 2023, reviewing “The Hunger Games: The Ballad of Songbirds & Snakes,” the latest in the popular series. In theaters on November 17th, 2023.

I Wanna Be Like Mike … Super Rich! On-Air Review of ‘Air’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on April 6th, 2023, reviewing “Air,” the origin story of Michael Jordan’s shoe contract with Nike, resulting in the iconic Air Jordan. In theaters since April 5th.

Winning the Battle! On-Air Film Review of ‘The Woman King’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on September 15th, 2022, reviewing “The Woman King,” about Woman Warriors in 19th Century Africa. In theaters on September 16th..

Come Save Us! On-Air Review of ‘The Suicide Squad’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on August 5th, 2021, reviewing the new film “The Suicide Squad.” In theaters and streaming on HBO Max on August 6th.

Blues Tune! On-Air Review of ‘Ma Rainey’s Black Bottom’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on November 26th, 2020, reviewing the new Netflix film “Ma Rainey’s Black Bottom,” now in theaters and coming to Netflix on December 18th.

Denzel Washington & Viola Davis Swing for the ‘Fences’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Viola Davis and Denzel Washington are actors who are likely to give plays adapted for the screen a good name. Their commitment to the material shines through in the new film “Fences.” Davis and Washington have a well worn familiarity with the characters –having portrayed them on Broadway in the 2010 revival of August Wilson’s Pulitzer Prize winning play.

Freaky Villains is Where ‘Suicide Squad’ Works Best

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGODC Entertainment, feeling the heat from Marvel Studios and the tepid response from “Batman v Superman,” comes back stronger with “Suicide Squad,” an overblown yet psychological comic book film about sociopathic villains who somehow have to save the world.

Hacker Thriller ‘Blackhat’ Has a Finger on the Enter Key

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – A speedy film project can take about a year from conception to final cut; director Michael Mann’s wired-in thriller “Blackhat” might as well have been written, shot, and cut last month. Not just because of its epilogue to the rise and defeat of the Guardians of Peace, but for its modernity. This is a tale of headline action specifically for January 16, 2015 and onward, in our new period of cyber terror.

Lives Interact in ‘The Disappearance of Eleanor Rigby: Them’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – There was something blank within “The Disappearance of Eleanor Rigby: Them,” although it dealt with the issues of loss, family and reconciliation. The all star cast, including Jessica Chastain, James McAvoy and William Hurt, add their performing spins to the story.

James Brown Bio ‘Get On Up’ Stuck in a Funk

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “Get On Up” contains one dynamite performance trapped in a frustratingly mediocre movie. James Brown’s life and music offer a wealth of material to work with, but that doesn’t necessarily adhere to the conventions of a formulaic musical biopic.

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