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John Goodman

‘10 Cloverfield Lane’ is a Dull Detour to a Dead End

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – With “10 Cloverfield Lane,” Producer J.J. Abrams attempts a classic bait and switch on his audience. The name and the tagline suggest a connection to Abrams found footage monster movie, 2008’s “Cloverfield.” But in all honesty, this film has very little to do with the events of that movie.

‘The Gambler’ is a Sure Bet for the Holiday Weekend

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Gritty, funky and quote-worthy, this re-imagining of “The Gambler” – from a 1970s source film – is one of Mark Wahlberg’s best performances. His addicted-to-gaming soul has roots in other frustrations, and the actor is willing to communicate the whole range of emotions.

‘Transformers: Age of Extinction’ Most Tolerable of Series

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – I’ll say this for “Transformers: Age Of Extinction,” it’s the most tolerable Transformers movie Michael Bay has ever made. The substitution of Mark Wahlberg for Shia LaBeouf is a big part of that – and for its first two hours at least, Bay realizes less is more.

‘The Monuments Men’ Has Been Drained of Personality

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

George Clooney’s “The Monuments Men” is processed cheese. It is a film that has been rewritten, edited, and refined until it has lost all sense of purpose or identity. There’s no flavor left. It is a film that defies genre; not quirky enough to have a comedic personality despite a cast that almost always supplies edge and not engaging enough to work as drama or thriller.

‘Inside Llewyn Davis’ Resonates Like Long-Lost Folk Masterpiece

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

Films about musicians are remarkably common. Artists from one medium have always loved to put themselves in the well-worn shoes of craftsmen from another. Most of them are stories of an underrated talent rising to the top of his profession, designed for both audience and filmmaker to live vicariously through the protagonist’s success. “Inside Llewyn Davis,” the latest masterpiece from Joel & Ethan Coen, is not one of those stories.

Pixar Scores Again With Delightful ‘Monsters University’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Let’s everybody say it together, “the key to great animation is a great story.” This has to be the motto for Pixar Animation – now part of Disney. Their latest, “Monsters University,” is a prequel with a heart, soul and attention to what makes this type of entertainment work.

Worse Than a Real One, ‘The Hangover Part III’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – With a lazy, over-plotted story, and a cast that are desperately going through the motions, “The Hangover Part III” is the latest example of a contract obligation disguising itself as a movie. Writer/director Todd Phillips sluggishly pounds out another one, with simply no originality.

Denzel Washington Pilots Nearly Flawless ‘Flight’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Few films have more deftly walked the tightrope through a moral gray area than Robert Zemeckis’ stunning “Flight,” one of the best dramas of the year that also just happens to include the best performance from two-time Oscar winner Denzel Washington in the last decade. Reminding us what he can do with a deep, complex character, Washington completely embodies the soul of a man dealing with a life crash long after he’s no longer in the cockpit of an actual plane.

Ben Affleck Reaches Career Peak with Tense, Masterful ‘Argo’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Ben Affleck has reached the apex of his already impressive directorial career with the stunning “Argo,” a tight, tense machine of a film, a masterwork that delivers as comedy, action, drama, and more. Critics see movies all the time that we understand may produce a divided response. We get that many acclaimed films won’t make a dent with the populous.

Clint Eastwood Whiffs in ‘Trouble with the Curve’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Clint Eastwood keeps going and going. His reputation as an actor is secure in a long career, and his power as a director is Oscar worthy. His ability to recognize a limp script? Not so much, if “Trouble with the Curve” is a gauge. Amy Adams and Justin Timberlake are along for the pitch.

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  • New Country

    CHICAGO – The Country Music industry has become as huge as any category of music entertainment. So Mark Roberts, the creator of the TV sitcom “Mike & Molly,” has fashioned a boisterous new play about the machinations of that genre of music industry, and gave it the plaintive title of “New Country.”

  • Romeo and Juliet, Lyric Opera of Chicago

    CHICAGO – The familiar story of the “star crossed lovers” by William Shakespeare, “Romeo and Juliet,” has been given as many interpretations over the years as there are stars in the sky. The Lyric Opera of Chicago presents the operatic French version, with a bright and venerate staging.

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