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Morris Chestnut

The Gang Happily Reunites in ‘The Best Man Holiday’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Like a black “Big Chill,” the gang from the 1999 essential film “The Best Man” reunite to see old friends, celebrate the season, open old wounds and bury the past in a surprisingly serious yet emotionally spiritual sequel “The Best Man Holiday.”

Disappointing ‘Kick-Ass 2’ Replaces Style with Vulgarity

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – More vulgar, violent, and generally vile than the first film, “Kick-Ass 2” is one of those incredibly annoying films that actually will mar the legacy of its predecessor by association. Writer/director Jeff Wadlow entirely misplaces the priorities of the first film, thinking that the sequel needs to be more extreme, even if that’s at the expense of style and intelligence.

Tense Thriller Has Halle Berry Answering ‘The Call’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “The Call” rises above the usual crime drama for a couple of reasons. First, it is a thriller that runs at a breakneck speed, using the driving culture of Los Angeles in a cat-and-mouse chase. Secondly, it symbolically emphasizes the plight of women, and honors their empowerment.

Morris Chestnut, Taraji P. Henson Keep ‘Not Easily Broken’ From Falling Apart

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Stars Morris Chestnut and Taraji P. Henson do their best to make Bill Duke’s “Not Easily Broken” a genuine domestic drama instead of the cluttered melodrama that it easily could have been with two lesser actors in the lead roles.

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  • The King of Comedy

    Something always felt a bit out of place for me in Martin Scorsese’s brilliant “The King of Comedy”, just released on Blu-ray for the first time. I couldn’t put my finger on it but chalked it up to it being thematically ahead of its time in its investigation of the cult of personality that defines modern entertainment.

  • 47 Ronin with Keanu Reeves

    CHICAGO – If you’ve ever wondered what the difference is between a director and a producer, let “47 Ronin” explain how the hierarchy of creativity hinders the evolution of even the most straightforward-sounding pitches. “47 Ronin” is the type of samurai movie set in Japan that features native actors speaking only English, while Keanu Reeves stars as an outsider clearly plunked into the picture for stateside star power.

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