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No Country for Old Men

Oppressively Bleak ‘The Road’ Buries Great Viggo Mortensen Performance

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – The long-delayed and highly-anticipated adaptation of Cormac McCarthy’s “The Road” has moments of stark beauty and a typically fantastic lead performance from Viggo Mortensen, but the film ultimately misses its mark as a whole piece, coming off numbing in its bleak, repetitive view of the end of the world instead of inspiring emotionally or creatively.

Sean Penn’s Oscar-Possible Harvey Milk Puts Face to Gay Rights in ‘Milk’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Just as Tom Hanks put a face to AIDS in 1993’s “Philadelphia,” Sean Penn has now put a face to gay rights as Harvey Milk in the new Gus Van Sant true-story film “Milk”.

Hit-or-Miss Mastermind Woody Allen Recaptures Genius With Eccentric ‘Vicky Cristina Barcelona’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – While legendary writer and director Woody Allen can’t always be equated with sheer genius these days and is more accurately described as a hit-or-miss proposition, the sorely undermarketed and film-festival touring “Vicky Cristina Barcelona” serves as unquestionable retribution for his recently questionable work.

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  • [Trans]formation

    CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.

  • Life Sucks

    CHICAGO – Let’s face it, life does suck. But what can we do about that? How do we survive? Lookingglass Theatre Company’s latest stage presentation tries to answer those thorny questions through a group of fellow travelers, flung together at a cabin retreat, trying to figure out why (indeed) “Life Sucks.”

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