HollywoodChicago.com RSS   Facebook   HollywoodChicago.com on Twitter   Free Giveaway E-mail   

Emile Hirsch

Peter Berg’s Brutal ‘Lone Survivor’ Lacks Context

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

Imagine a version of “Saving Private Ryan” that takes place entirely on the beaches of Normandy. It would have a visceral power purely through the horror of the recreation of war. However, it would lack the context of the rest of the narrative and lead one to question why the cinematic trip was worth taking.

Deep Two Character Drama Flavors ‘Prince Avalanche’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Take actors Paul Rudd and Emile Hirsch, make them highway line painters, put them in a fire-ravaged woodland and the makings for a savory two character portrait is realized in “Prince Avalanche.” David Gordon Green adapted and directed this appealingly offbeat art film.

Matthew McConaughey Delivers in Searing ‘Killer Joe’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – William Friedkin’s film of Tracy Letts’ “Killer Joe” takes no prisoners. One of the central characters is introduced from the waist down and to say that the film climaxes in violent, sexual oddity would be like saying “The Avengers” features a few superheroes. However, it would be a mistake to allow the controversy or the shock value to become the story of this excellent noir comedy that takes black humor to a new level of darkness.

Ang Lee’s ‘Taking Woodstock’ Lays Down Too Mellow a Vibe to Be Memorable

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – More about the vibe surrounding the three days of peace and love that would become the most influential festival in history than the actual music itself, Ang Lee’s “Taking Woodstock” is a frustrating drama with individual elements that work but a cinematic set list that is ultimately disjointed and unsatisfying.

Sean Penn’s Oscar-Possible Harvey Milk Puts Face to Gay Rights in ‘Milk’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Just as Tom Hanks put a face to AIDS in 1993’s “Philadelphia,” Sean Penn has now put a face to gay rights as Harvey Milk in the new Gus Van Sant true-story film “Milk”.

‘Speed Racer’ Condemns Franchise Dignity, But Delivers Sensorial Explosion

HollywoodChicago.com Oscarman rating: 2.5/5CHICAGO – While Hollywood slapped “PG” on the hotly anticipated “Speed Racer” to line its pocketbooks with the widest hodgepodge of people (ahem: kids) everywhere, those same kids will leave the theater with that lollipop nearly sucked to the stick but then yanked away with confusion.

Hot stories on the Web

Syndicate content

User Login

Free Giveaway Mailing

TV, DVD, BLU-RAY & THEATER REVIEWS

  • The Projects

    CHICAGO – The legacy of public housing is one of the strangest forces of karma in the City of Chicago. For example, sites that were once some of the roughest and most neglected housing for the poor now contain luxury condos. It is the people of those former hellholes that still remember the sorrowful history of what they once called home. The American Theater Company (ATC) have gathered these stories for the poignant and extraordinary “The Projects.”

  • Gambler, The 2

    CHICAGO – Browsing Dostoyevsky titles with consideration for proper roles for Mark Wahlberg, one might expect the Beantown hero to take on an adaptation of “The Idiot” before anything like “The Gambler.” After all, while Wahlberg has proven to be a diverse screen force - one who has well-grown past his Funky Bunch days - he often leans towards goofy men, or at least goofy men in goofy movies.

Advertisement



HollywoodChicago.com on Twitter

archive

HollywoodChicago.com Top Ten Discussions
referendum
tracker