Garret Dillahunt

Rating: 4.0/5.0

CHICAGO – Travis Fine’s “Any Day Now” is an old-fashioned social problem film painted in the broadest of strokes. Fairly early on, the audience is faced with two choices: either resist the film’s assuredly tear-jerking formula or submit to it. Though some critics will always opt for the first choice, regardless of a film’s merits, I’m willing to praise a formula as long as it’s well-executed.

Rating: 4.5/5.0

CHICAGO – It’s so refreshing to see a talented filmmaker that has been allowed to bring his unique vision to the screen without compromise. You know the feeling when you’re watching a product of a marketing focus group or producer interference and when you’re seeing something fresh, new, and personal.

Rating: 2.5/5.0

CHICAGO – The long-delayed and highly-anticipated adaptation of Cormac McCarthy’s “The Road” has moments of stark beauty and a typically fantastic lead performance from Viggo Mortensen, but the film ultimately misses its mark as a whole piece, coming off numbing in its bleak, repetitive view of the end of the world instead of inspiring emotionally or creatively.

Rating: 4.0/5.0

CHICAGO – Dennis Illiadis’ remake of “The Last House on the Left” is the exception the proves the rule that most horror movie remakes are a complete waste of time. With an incredible performance by Garret Dillahunt (“Deadwood,” “The Assassination of Jesse James by the Coward Robert Ford”) and great supporting work by Monica Potter, Sara Paxton, Tony Goldwyn, and others, “Last House” is the best mainstream horror movie in a long time.