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Garret Dillahunt

Alan Cumming Shines in Heartbreaking ‘Any Day Now’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Travis Fine’s “Any Day Now” is an old-fashioned social problem film painted in the broadest of strokes. Fairly early on, the audience is faced with two choices: either resist the film’s assuredly tear-jerking formula or submit to it. Though some critics will always opt for the first choice, regardless of a film’s merits, I’m willing to praise a formula as long as it’s well-executed.

Stunning, Creative Vision of ‘Looper’ with Joseph Gordon-Levitt

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – It’s so refreshing to see a talented filmmaker that has been allowed to bring his unique vision to the screen without compromise. You know the feeling when you’re watching a product of a marketing focus group or producer interference and when you’re seeing something fresh, new, and personal.

Oppressively Bleak ‘The Road’ Buries Great Viggo Mortensen Performance

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – The long-delayed and highly-anticipated adaptation of Cormac McCarthy’s “The Road” has moments of stark beauty and a typically fantastic lead performance from Viggo Mortensen, but the film ultimately misses its mark as a whole piece, coming off numbing in its bleak, repetitive view of the end of the world instead of inspiring emotionally or creatively.

Effective Remake of ‘The Last House on the Left’ a Powerful Horror Film

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGODennis Illiadis’ remake of “The Last House on the Left” is the exception the proves the rule that most horror movie remakes are a complete waste of time. With an incredible performance by Garret Dillahunt (“Deadwood,” “The Assassination of Jesse James by the Coward Robert Ford”) and great supporting work by Monica Potter, Sara Paxton, Tony Goldwyn, and others, “Last House” is the best mainstream horror movie in a long time.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Spike Heels Stage Play

    CHICAGO – If you can remember the 1990s outside of childhood, you are in the glow of middle age, so congratulations. The Brown Paper Box Co. theater ensemble takes us back to those thrilling days of yesteryear with “Spike Heels,” a relationship comedy centering on the co-mingling antics of two couples, with a slight nod toward George Bernard Shaw and the play “Pygmalion” (or its musical counterpart, “My Fair Lady”).

  • Book of Merman, The

    CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.

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