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Viggo Mortensen

Visceral ‘On the Road’ Honors a Great American Novel

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The 1957 novel “On the Road” by Jack Kerouac, was a missile across the bow of American social conventions, and a precursor to the radical 1960s. For over fifty years, it has eluded a film adaptation, until director Walter Salles (“The Motorcycle Diaries”) found the way to capture it.

David Cronenberg’s ‘A Dangerous Method’ Needed More Risk

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – There are glimpses of actual danger in David Cronenberg’s divisive “A Dangerous Method” with Michael Fassbender, Viggo Mortensen, and Keira Knightley, and the film has a lingering power as it’s easy to roll around your brain and contemplate its themes, but I wanted a bit more actual risk to the filmmaking. Easily the masterful director’s most straightforward work in some time (possibly ever), this is a worthwhile piece that nonetheless disappoints in the context of the rest of his filmography.

Oppressively Bleak ‘The Road’ Buries Great Viggo Mortensen Performance

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – The long-delayed and highly-anticipated adaptation of Cormac McCarthy’s “The Road” has moments of stark beauty and a typically fantastic lead performance from Viggo Mortensen, but the film ultimately misses its mark as a whole piece, coming off numbing in its bleak, repetitive view of the end of the world instead of inspiring emotionally or creatively.

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  • Punk Punk

    CHICAGO – For theater that is audaciously in-the-now and generates a sparkle of life, there are few better storefront (garage, gothic gathering place) groups than “Nothing Without a Company.” Their latest, eclectic kick-in-the-head production is the intensely diverting and weirdly fun “Punk Punk.”

  • Assassination Theater

    CHICAGO – There are two dates in modern American History that ring in the heads of certain generations. Of course, there is September 11th, 2001, but the granddaddy of that date is November 22nd, 1963. That is when an American president, John F. Kennedy, was shot point blank in the head and killed on the street of an American city. The official proclamation from the government is that a lone assassin, Lee Harvey Oswald, fired those shots. In a new Chicago play, “Assassination Theater,” subtitled “Chicago’s Role in the Crime of the Century,” the jury is still decidedly out.


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