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‘The Counselor’ Disguises Lackluster Storytelling in Philosophy

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – “That’s not what greed does; that’s what greed is.” Cormac McCarthy’s script for “The Counselor” is so weighed down with allegedly insightful philosophy like this that it collapses into a heap of laughable, unbelievable exchanges between characters who simply don’t exist in the real world.

Woody Allen’s ‘To Rome with Love’ is Episodic, Choppy

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Writer/director Woody Allen continues his film travelogues in “To Rome with Love,” touring The Eternal City with four separate vignettes. An all-star cast – including Jesse Eisenberg, Ellen Page, Alec Baldwin, Penélope Cruz and Woody himself – hit and miss with this varying blend of stories.

Johnny Depp in Entertaining ‘Pirates of the Caribbean: On Stranger Tides’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – It’s easy to remember that the Pirates of the Caribbean movie series is on its fourth formulaic film, but harder to remember that it’s based on a freaking amusement park ride! Director Rob Marshall livens it up with “Pirates of the Caribbean: On Stranger Tides.”

Star-Studded ‘Nine’ With Daniel Day-Lewis Delivers Grand Musical Spectacle

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Rob Marshall’s highly anticipated “Nine” isn’t quite the complete piece that it could have been, but its flaws are easy to overlook in favor of the spectacle of old-fashioned, pure entertainment. It is what so many musicals are remembered for being: a series of memorable moments, the toe-tapping sum of which makes a missed beat or two easier to overlook.

Hit-or-Miss Mastermind Woody Allen Recaptures Genius With Eccentric ‘Vicky Cristina Barcelona’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – While legendary writer and director Woody Allen can’t always be equated with sheer genius these days and is more accurately described as a hit-or-miss proposition, the sorely undermarketed and film-festival touring “Vicky Cristina Barcelona” serves as unquestionable retribution for his recently questionable work.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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