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Barack Obama

‘Inequality for All’ Becomes a Cry for Democracy

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – One of the more underreported stories of the past year is that income inequality – the gap between the wealthiest one percent in the U.S. versus the rest of the population – is at historic highs. When that balance of power is tilted, the result is documented in the new film, “Inequality for All.”

‘2016: Obama’s America’ is a Cesspool of Partisan Hackery

HollywoodChicago.com Oscarman rating: 0.0/5.0
Rating: 0.0/5.0

CHICAGO – What are you afraid of, right now? Is it the shaky economy, the red/blue political divide or maybe Dunkin Donuts ran out of Oreo smoothies? You know what’s easy about justifying those fears? Blaming President Obama. “2016: Obama’s America,” written and directed by conservative propagandist Dinesh D’Souza, wants to blame Obama for the sun going down.

‘11/4/08’ Assembles Interactive Portrait of Fateful Night

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – When Barack Obama took to the podium at Grant Park and gave his acceptance speech on the evening of November 4, 2008, his face appeared strangely reserved. His eyes did not reflect the overwhelming excitement of his supporters. Their grassroots efforts led to the election of a candidate whose popularity transcended national boundaries, injecting cynics with hope.

Sean Penn’s Oscar-Possible Harvey Milk Puts Face to Gay Rights in ‘Milk’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Just as Tom Hanks put a face to AIDS in 1993’s “Philadelphia,” Sean Penn has now put a face to gay rights as Harvey Milk in the new Gus Van Sant true-story film “Milk”.

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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