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Barack Obama

‘Inequality for All’ Becomes a Cry for Democracy

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – One of the more underreported stories of the past year is that income inequality – the gap between the wealthiest one percent in the U.S. versus the rest of the population – is at historic highs. When that balance of power is tilted, the result is documented in the new film, “Inequality for All.”

‘2016: Obama’s America’ is a Cesspool of Partisan Hackery

HollywoodChicago.com Oscarman rating: 0.0/5.0
Rating: 0.0/5.0

CHICAGO – What are you afraid of, right now? Is it the shaky economy, the red/blue political divide or maybe Dunkin Donuts ran out of Oreo smoothies? You know what’s easy about justifying those fears? Blaming President Obama. “2016: Obama’s America,” written and directed by conservative propagandist Dinesh D’Souza, wants to blame Obama for the sun going down.

‘11/4/08’ Assembles Interactive Portrait of Fateful Night

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – When Barack Obama took to the podium at Grant Park and gave his acceptance speech on the evening of November 4, 2008, his face appeared strangely reserved. His eyes did not reflect the overwhelming excitement of his supporters. Their grassroots efforts led to the election of a candidate whose popularity transcended national boundaries, injecting cynics with hope.

Sean Penn’s Oscar-Possible Harvey Milk Puts Face to Gay Rights in ‘Milk’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Just as Tom Hanks put a face to AIDS in 1993’s “Philadelphia,” Sean Penn has now put a face to gay rights as Harvey Milk in the new Gus Van Sant true-story film “Milk”.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

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