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Tom Hanks

‘Inferno’ Was Damned From The Start

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – You can’t keep a good conspiracy down. Tom Hanks returns to a role we thought had joined the pages of history his character was so eager to uncover. Like the previous films in the franchise, “Inferno” promises to deliver a new problem to solve even though they never attempt to fix any of the cinematic and narrative flaws from its past.

Tom Hanks is Solid, But ‘Sully’ Never Really Soars

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “Sully” is a solid effort from Director Clint Eastwood, but it never really soars the way its supposed to. It’s a good story, helped immeasurably by Tom Hanks low key performance, but it feels unnecessary. The problem may be that the story of the pilot who pulled off the so-called “Miracle on the Hudson” is so well known, the movie can’t really add anything to it.

Tom Hanks Delivers in ‘A Hologram for the King’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Tom Hanks is using his golden years as a vehicle to stretch his performance skills, and his role as a sort of “Death of a Salesman” spin in “A Hologram for the King” gives him an opportunity to keep stretching. The stylish film floats within the focus on his character, and he delivers.

Celebration of Creation in Warm ‘Saving Mr. Banks’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The world of creation, and the imagination behind it, gets an honorable and elegantly performed treatment in the fascinating “Saving Mr. Banks.” What seems like a “making of” film about the legendary “Mary Poppins,” becomes much more rich in symbolism and consideration.

Tom Hanks Guides Intense ‘Captain Phillips’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Captain Richard Phillips (Tom Hanks) leaves his wife Andrea (Catherine Keener) for yet another journey captaining a cargo ship off the coast of Africa. Shortly thereafter, a Somali boy named Muse (Barkhad Abdi) heads into the same waters on a collision course with the Maersk Alabama.

‘Cloud Atlas’ Reaches For the Sky But Loses Its Way

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Not all great works of literature make great works of film. David Mitchell’s “Cloud Atlas” is a masterpiece but Tom Tykwer, Andy & Lana Wachowksi’s “Cloud Atlas” is definitely not. It is an ambitious work with many of Mitchell’s fascinating ideas about the ripple effect of emotion through time left intact but it is a work that frustrates as often as it thrills.

All Intention, No Delivery in ‘Extremely Loud and Incredibly Close’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The September 11th tragedy is still percolating through the cinematic filter, and there is a well intentioned thread throughout the various interpretations. But the latest attempt, “Extremely Loud and Incredibly Close,” stretches this intention too far, despite a cast featuring Tom Hanks and Sandra Bullock.

Tom Hanks, Julia Roberts Seek to Repurpose ‘Larry Crowne’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Movie stars need certain types of films to keep their star power safe and audiences expect certain things from them, with limitations, to create summer movie comfort. Tom Hanks and Julia Roberts fill the bill in “Larry Crowne.”

‘Toy Story 3’ is a Perfect Play Date For the Entire Family

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Very few recent films are as purely entertaining or thematically satisfying as Pixar’s “Toy Story 3,” not only one of the best movies of the year but one of the best in the history of animation. Brilliantly tying up the two films that came before in a way that so many sequels fail to do, the geniuses at Pixar have done it again. It’s another masterpiece.

Tom Hanks, Ron Howard Misfire With Ridiculous ‘Angels & Demons’

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGORon Howard’s “Angels & Demons,” the sequel to “The Da Vinci Code,” is an absolute mess, a film that tries hard to break free from the dull tone of its predecessor but ends up even more ridiculous, frustrating and generally worthless.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Kid Thing, The

    CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.

  • Wiz, The

    CHICAGO – When stage theater can cause outbreaks of elation, celebration and joy, then it must be due to Kokandy Productions’ revival of “The Wiz.” The urban reinterpretation of “The Wizard of Oz” story – told through tuneful euphoria and jubilant dance – is ecstatically produced, in every morsel of its stagecraft.

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