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Alison Pill

‘Snowpiercer’ is a Wild Ride, One-of-a-Kind Dystopia

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Travelers. We are travelers in this life, and metaphorically we’re mostly in coach, but sometimes manage to get some first class treatment. What if all this traveling were confined to one vehicle? Imagine a future world contained in a constantly traveling train, and the premise for “Snowpiercer” realizes a one-of-a-kind dystopia.

Seann William Scott Skates Through Funny ‘Goon’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Seann William Scott gives a surprisingly engaging, even sweet performance as the title character in the brutal, raunchy hockey comedy “Goon,” written by “Superbad” scribe Evan Goldberg and comedy actor Jay Baruchel. This “Slap Shot meets Fight Club” is a definite must-see for hockey fans but feels a little too slight for everyone else. Still, there’s a lot to like here, especially for those who want an interesting alternative On Demand (it’s already available there and opening in Chicago theaters today, March 30th, 2012).

Woody Allen’s Charming ‘Midnight in Paris’ Delights

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Writer/director Woody Allen and the amazing cinematographer Darius Khondji (“Seven,” “The City of Lost Children”) very purposefully open their new film “Midnight in Paris” with a long series of static shots of the title city before even presenting a cast list. You see, Paris is a cast member in this film. The sun rises, people hustle and bustle through Paris, they sip coffee in cafes, the lights go on at dusk, and the city sleeps.

Ambition, Ingenuity Win Fight of ‘Scott Pilgrim vs. the World’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Working from the graphic novels by Brian Lee O’Malley, Edgar Wright and Michael Cera deliver one of the most unique films of the year in the comeic-book/romance/comedy/video-game/pop-art/action/musical “Scott Pilgrim vs. the World.” You won’t see anything like this again for a long time. It’s an imperfect film that can get downright frustrating but it displays enough flashes of genius to warrant your time and demand your forgiveness of flaws.

Sean Penn’s Oscar-Possible Harvey Milk Puts Face to Gay Rights in ‘Milk’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Just as Tom Hanks put a face to AIDS in 1993’s “Philadelphia,” Sean Penn has now put a face to gay rights as Harvey Milk in the new Gus Van Sant true-story film “Milk”.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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