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Vera Farmiga

Inauthentic ‘The Judge’ Guilty of a Stale Confrontation

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Here comes “The Judge,” here comes “The Judge.” That 1960s catchphrase gets new meaning in the film featuring Robert Downey Jr. and veteran Robert Duvall, in a angry generational face-off that makes little sense and provides a stiff courtroom drama that felt like bad TV.

‘At Middleton’ Never Reaches Its Star Power Potential

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Since the world has been clamoring for a film about high school seniors touring a liberal arts college, “At Middleton” fills the bill, and throws in a symbolic midlife liaison between characters portrayed by Andy Garcia and Vera Farmiga, tripping across their own “life campus.”

Effective ‘The Conjuring’ Captures the Sum of All Fears

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – True scary movies have a couple of things going for them – the source of the scare and the psychology of the scare. The source provides the “boo,” the audience provides the interactive psychology. “The Conjuring” is a true scary movie.

Denzel Washington Lives in Boring ‘Safe House’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – “Safe House” is so overly familiar that you not only will think that you’ve seen it before and know exactly where it’s going before it gets there, but you will also barely remember having seen it once it’s over. It’s cinematic fast food – relatively streamlined but also not difficult to make for anyone involved, generally bad for you, and totally forgettable. It’s all so, well, “Safe.”

Vera Farmiga Wrestles Religion in ‘Higher Ground’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The subject of religion in America is rarely portrayed honestly in the movies, with its power to both inspire or offend. Vera Farmiga makes her directorial debut and plays the lead character in the religious-themed “Higher Ground.”

Keanu Reeves Sleepwalks Through ‘Henry’s Crime’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Keanu Reeves is the sort of actor who succeeds in spite of himself. His best work remains in the late ’80s and early ’90s, when he specialized in playing hazy-brained man-children, the best of which may have been Tod Higgins, the goofy race car driver in Ron Howard’s timeless 1989 comedy, “Parenthood.” Reeves transcended the silliness of his character with a performance of disarming warmth.

Jake Gyllenhaal, Michelle Monaghan Star in Thrilling ‘Source Code’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Duncan Jones announced his arrival on the sci-fi scene with such authority with the excellent “Moon” that genre fans were naturally concerned about a sophomore slump. Worry no more. “Source Code” may first feel like a more traditional thriller but it’s clearly cut from the same cloth as “Moon” in that it takes the impossible and makes it human, even spiritual. Like the best sci-fi, “Source Code” is both entertaining and thought-provoking. It’s a great slice of entertainment that you’ll want to relive as soon as it’s done playing.

Oscar-Worthy ‘Up in the Air’ Gels With Shrewd Script, Fresh Faces, Unpredicted Realism

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Director Jason Reitman is becoming like a fine wine. He’s maturing with age, tasting newer with each sip and leaving an aftertaste that makes you think you’ll savor what’s next.

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  • Lori Petty, photo by Joe Arce

    CHICAGO – Lori Petty will never be predictable, nor put into some show business box. The free-wheelin’ Ms. P applies her expansive performance skills to the role of Lolly – a guest spot that turned into a recurring character – on Netflix’s hot series “Orange is the New Black,” which released its third season on June 12th, 2015.

  • The Projects

    CHICAGO – The legacy of public housing is one of the strangest forces of karma in the City of Chicago. For example, sites that were once some of the roughest and most neglected housing for the poor now contain luxury condos. It is the people of those former hellholes that still remember the sorrowful history of what they once called home. The American Theater Company (ATC) have gathered these stories for the poignant and extraordinary “The Projects.”

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