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Denzel Washington

‘The Magnificent Seven’ is How the Western Was Lost

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – The appeal of Westerns was mostly lost on me when I was younger. The tales of these hypermasculine wanderers, answering every problem with a gun, never appealed to me. When I got older, I discovered their messages of honor and self-defense against corruption. The genre proved it could be more than one-liners and shootouts, but “The Magnificent Seven” set out to be only that.

Overall Story of ‘The Equalizer’ Doesn’t Add Up

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – You could call “The Equalizer” a bit of an underachiever. It re-teams Oscar winner Denzel Washington with his “Training Day” director Antoine Fuqua for a movie remake of a 1980’s TV show with a cult following, but the film as a whole adds up to less than the sum of its parts.

Mark Wahlberg Steals Unexpected Comedic Spotlight Amid ‘2 Guns’ Bromance

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – While you wouldn’t normally compare the new action/comedy “2 Guns” with the comedy “I Love You, Man,” really the only difference between what Mark Wahlberg and Denzel Washington are doing now versus what Paul Rudd and Jason Segel did in 2009 is that “2 Guns” uses crime as the means by which two grown men fall in love with one another.

Denzel Washington Pilots Nearly Flawless ‘Flight’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Few films have more deftly walked the tightrope through a moral gray area than Robert Zemeckis’ stunning “Flight,” one of the best dramas of the year that also just happens to include the best performance from two-time Oscar winner Denzel Washington in the last decade. Reminding us what he can do with a deep, complex character, Washington completely embodies the soul of a man dealing with a life crash long after he’s no longer in the cockpit of an actual plane.

Denzel Washington Lives in Boring ‘Safe House’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – “Safe House” is so overly familiar that you not only will think that you’ve seen it before and know exactly where it’s going before it gets there, but you will also barely remember having seen it once it’s over. It’s cinematic fast food – relatively streamlined but also not difficult to make for anyone involved, generally bad for you, and totally forgettable. It’s all so, well, “Safe.”

Denzel Washington, Chris Pine Star in Slick, Entertaining ‘Unstoppable’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “Unstoppable” plays perfectly to Tony Scott’s flashy strengths as a director. There’s no deep meaning or character-driven dialogue for him to clutter up with his style over substance aesthetic. And so the film truly works as a great slice of escapist entertainment as long as you know what to expect.

Denzel Washington, John Travolta in Average ‘The Taking of Pelham 123’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Tony Scott’s remake of “The Taking of Pelham 123,” starring Denzel Washington and John Travolta, is likely to meet sun-drained audience expectations for a straight-forward, adult-driven action film this season but the overly stylized and not-so-thrilling train ride is ultimately merely average at best and will disappoint fans looking for anything more.

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  • Abbie Hoffman Died for Our Sins Fest

    CHICAGO – It’s 3am on Saturday night/Sunday morning on August 20th, and you’re just not ready to quit. How about indulging in the 2016 “Abbie Hoffman Died for Our Sins” Theater Festival? The three-day theater marathon is in its 28th edition, and will be sponsored for the final time by the Mary-Arrchie Theatre Company, and hosted by the “Godfather of Storefront Theater,” Rich Cotovsky. It all takes place at the Den Theatre, 1333 N. Milwaukee in Chicago (details below).

  • aJMfront.jpg

    CHICAGO – No one would call talented one-man-show artist John Michael conventional, at least if they are in their right mind. So ironically, after tackling sexually transmitted disease in his last solo performance, he takes on the vagrancies of old age and caring for elderly patients in his truly heartfelt “Dementia Me.”

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