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Denzel Washington

Denzel Washington & Viola Davis Swing for the ‘Fences’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Viola Davis and Denzel Washington are actors who are likely to give plays adapted for the screen a good name. Their commitment to the material shines through in the new film “Fences.” Davis and Washington have a well worn familiarity with the characters –having portrayed them on Broadway in the 2010 revival of August Wilson’s Pulitzer Prize winning play.

‘The Magnificent Seven’ is How the Western Was Lost

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – The appeal of Westerns was mostly lost on me when I was younger. The tales of these hypermasculine wanderers, answering every problem with a gun, never appealed to me. When I got older, I discovered their messages of honor and self-defense against corruption. The genre proved it could be more than one-liners and shootouts, but “The Magnificent Seven” set out to be only that.

Overall Story of ‘The Equalizer’ Doesn’t Add Up

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – You could call “The Equalizer” a bit of an underachiever. It re-teams Oscar winner Denzel Washington with his “Training Day” director Antoine Fuqua for a movie remake of a 1980’s TV show with a cult following, but the film as a whole adds up to less than the sum of its parts.

Mark Wahlberg Steals Unexpected Comedic Spotlight Amid ‘2 Guns’ Bromance

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – While you wouldn’t normally compare the new action/comedy “2 Guns” with the comedy “I Love You, Man,” really the only difference between what Mark Wahlberg and Denzel Washington are doing now versus what Paul Rudd and Jason Segel did in 2009 is that “2 Guns” uses crime as the means by which two grown men fall in love with one another.

Denzel Washington Pilots Nearly Flawless ‘Flight’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Few films have more deftly walked the tightrope through a moral gray area than Robert Zemeckis’ stunning “Flight,” one of the best dramas of the year that also just happens to include the best performance from two-time Oscar winner Denzel Washington in the last decade. Reminding us what he can do with a deep, complex character, Washington completely embodies the soul of a man dealing with a life crash long after he’s no longer in the cockpit of an actual plane.

Denzel Washington Lives in Boring ‘Safe House’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – “Safe House” is so overly familiar that you not only will think that you’ve seen it before and know exactly where it’s going before it gets there, but you will also barely remember having seen it once it’s over. It’s cinematic fast food – relatively streamlined but also not difficult to make for anyone involved, generally bad for you, and totally forgettable. It’s all so, well, “Safe.”

Denzel Washington, Chris Pine Star in Slick, Entertaining ‘Unstoppable’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “Unstoppable” plays perfectly to Tony Scott’s flashy strengths as a director. There’s no deep meaning or character-driven dialogue for him to clutter up with his style over substance aesthetic. And so the film truly works as a great slice of escapist entertainment as long as you know what to expect.

Denzel Washington, John Travolta in Average ‘The Taking of Pelham 123’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Tony Scott’s remake of “The Taking of Pelham 123,” starring Denzel Washington and John Travolta, is likely to meet sun-drained audience expectations for a straight-forward, adult-driven action film this season but the overly stylized and not-so-thrilling train ride is ultimately merely average at best and will disappoint fans looking for anything more.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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