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Trial

Humankind Gets a Necessary Lesson in ‘The Insult’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The clash of ideologies or religion that result in war is one of the most emotional of reasons to fight (and convenient for those who manipulate such emotions). “The Insult,” a contender for Best Foreign Language Film at the Oscars, shows how feelings can escalate to bitter conflict.

American Legal System is Put on Trial in ‘Crown Heights’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – There is no justice for the poor. That should be carved in stone on courthouses beside all the platitudes of American “equality” and “law.” In an eye-opening narrative film based on a true story, “Crown Heights” explores just how an impoverished individual can be found guilty and imprisoned unjustly for years.

The Fog of Battle is a Heavy Burden in ‘A War’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Humanity and war simply do no mix. You could have the biggest guns, the most powerful bombs and the greatest army, but you’re also going to eliminate innocent lives, and affect those soldiers who do the killing. This topic is pungently realized in the Danish film “A War.”

Inauthentic ‘The Judge’ Guilty of a Stale Confrontation

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Here comes “The Judge,” here comes “The Judge.” That 1960s catchphrase gets new meaning in the film featuring Robert Downey Jr. and veteran Robert Duvall, in a angry generational face-off that makes little sense and provides a stiff courtroom drama that felt like bad TV.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.

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