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Tony Goldwyn

Jason Statham in ‘The Mechanic’ is a Mindless Repeat of All Prior Gun-Toting Slayers

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – It wouldn’t be a Jason Statham film if in it he was just fixing cars. In “The Mechanic,” his profession is fixing people. And by fixing, like “The Transporter” he’s again cracking skulls.

Hilary Swank, Sam Rockwell Suffer From a Lack of ‘Conviction’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – The United States, with the largest prison population in the Western world, obviously has used the system to incarcerate undesirables in the society, whether they are guilty or not. The access to real justice is played out in the cumbersome “Conviction,” featuring Hilary Swank, Sam Rockwell, Minnie Driver and Melissa Leo.

Effective Remake of ‘The Last House on the Left’ a Powerful Horror Film

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGODennis Illiadis’ remake of “The Last House on the Left” is the exception the proves the rule that most horror movie remakes are a complete waste of time. With an incredible performance by Garret Dillahunt (“Deadwood,” “The Assassination of Jesse James by the Coward Robert Ford”) and great supporting work by Monica Potter, Sara Paxton, Tony Goldwyn, and others, “Last House” is the best mainstream horror movie in a long time.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Knick, The

    CHICAGO – Cinemax’s ominous new series “The Knick” is a hospital drama that’s very much in the voice of its director, Steven Soderbergh. Set in New York City at the turn of the 20th century, the series presents the medical world as it inches closer and closer to modernity, while making contemporary parallels to the desperate hustle by surgery room clients and their doctors alike regarding treatment of the human body. What has changed in the politics of medicine? What hasn’t?

  • Transcendence

    CHICAGO – The Internet is for real in “Transcendence”, a B-movie with grade-A production quality, loaded with terabyte-size open-ended questions, so long as one can accept it lastly with a scientific mindset. It is a film that perceives technology to be more expansive than a box of wires and computer chips, and actualizes the expanse of the internet as limitless to the realm of spiritual.

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