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Kyle Chandler

Jason Bateman & Rachel McAdams Score on ‘Game Night’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – A game cast elevates what is otherwise a bit of a ho hum affair in the action comedy “Game Night.” Jason Bateman and Rachel McAdams are a middle class couple hosting weekly game nights with a group of good friends. But when Bateman’s competitive venture capitalist older brother Brooks (Kyle Chandler) comes to town, he promises to take game night up a notch.

Casey Affleck Anchors ‘Manchester by the Sea’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Tis the season for earnest character studies, and Casey Affleck in “Manchester by the Sea” has a doozy. Portraying a Boston guy with a mountain of sadness within, Affleck harbors the range of emotions like a coiled snake ready to strike, but manages to keep it all undercover.

Scorsese’s ‘The Wolf of Wall Street’ a Deliciously Gluttonous Inspection Into Our Demons

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – No matter how painfully bad it may be, I never walk out of a screening. It’s a professional rule I’ve set and keep it at all costs. But with Martin Scorsese’s latest stroke of genius, I experienced a kind of pain I don’t usually wrangle with: the survival of my bladder.

Martin Scorsese’s ‘The Wolf of Wall Street’ is Cinematic Adrenalin

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

Jordan Belfort (Leonardo DiCaprio) lives completely, entirely in the moment. It’s not that there’s no tomorrow, there’s not even “later that same day” in his world. People who make their living on the minute-to-minute fluctuations of the stock market are inherently going to be inclined to live in the small spaces between those quick deviations but Belfort was even more so given the fact that his first day as a legit money maker was on the day the entire economy collapsed in 1987 known as “Black Monday.”

Crime Thriller ‘Broken City’ Fictionalizes its Crime Without Most of its Thrill

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Rife with corruption and injustice, the setting for “Broken City” could have been picked from a litter of U.S. metropolitans. Said star Mark Wahlberg in a recent red-carpet interview with HollywoodChicago.com, it’s not Chicago.

Jingoistic ‘Zero Dark Thirty’ Highlights the Mission

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Despite an obsession for killing a single man to represent a foggy revenge, “Zero Dark Thirty” is an effective thriller in the actual re-creation of that Navy Seal operation. Directed by Kathryn Bigelow (“The Hurt Locker”), the all-star cast is led by a miscast Jessica Chastain.

‘Zero Dark Thirty’ Turns CIA Procedural Into Riveting Thriller

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Kathryn Bigelow opens her stunning “Zero Dark Thirty” with a date and a series of voice mail recordings. The date is, of course, September 11, 2001 and the recordings are the ghosts of the people who died that day, perfectly setting the stakes for the story to come – the hunt for and capture of Osama Bin Laden.

J.J. Abrams Finds Magic in Wonderful ‘Super 8’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGOJ.J. Abrams’ “Super 8” comes to theaters this week shrouded in mystery, nostalgia, and expectation. What do the aliens look like? How will it pay homage to the works of Steven Spielberg that so clearly inspired it? And will the merging of two filmmakers amplify their flaws or underline their strengths?

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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