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Film Review: Jason Bateman & Rachel McAdams Score on ‘Game Night’

CHICAGO – A game cast elevates what is otherwise a bit of a ho hum affair in the action comedy “Game Night.” Jason Bateman and Rachel McAdams are a middle class couple hosting weekly game nights with a group of good friends. But when Bateman’s competitive venture capitalist older brother Brooks (Kyle Chandler) comes to town, he promises to take game night up a notch.

Film Review: An Adrenaline Junkie’s Dream, ‘Mad Max: Fury Road’ a Badass Bass Haven

CHICAGO – It’s “the greatest action movie ever made,” so says the television commercials (which means it’s true). And it’s buoyed by other quotables galore including “what a lovely day!,” “from mastermind George Miller,” “pulse pounding,” “heart wrenching” and “teeth grinding”.

Film Review: Too-Long ‘The Hobbit: The Battle of the Five Armies’ Delivers on Intimate, Hand-to-Hand Combat

CHICAGO – Though he’s never been called it before in scientific speak, I’m saying it now: Peter Jackson is a master of mitosis. He’s one of Hollywood’s best in splitting up the cinematic cellular DNA of one story into three because, apparently, he can’t do epics unless they’re in groups of three.

Blu-ray Review: Goofy ‘Winter’s Tale’ a Bad Miracle

Winter's Tale

The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

Film Review: Hollywood’s ‘Godzilla’ Misses, Mocks Ishirô Honda’s Main Warning Message

CHICAGO – Except for the clear purpose of cashing in on yet another “Godzilla” remake, everything is happening for no reason. Worst of all, what is ensuing misses and even mocks the reason why Ishirô Honda originated 1954’s “Godzilla” in the first place.

Film Review: ‘300: Rise of an Empire’ Gets Its 3D War On

CHICAGO – The rewriting of history in comic book movie form – not that’s anything wrong with that – continues with “300: Rise of an Empire.” Ancient wars are brought to life through a combination of mythology, six-pack abs, 3D blood spurts and comprehensive special effects, which can be better than history.

Film Review: ‘Winter’s Tale’ Freezes in Cheesy Movie Hell

CHICAGO – The poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” makes a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.”

Film Review: Two Old Stars Roast Their Images in ‘Grudge Match’

CHICAGO – Sylvester Stallone and Robert De Niro – between them they have over 150 film credits in careers stretching back to the 1960s. Two of their most famous roles, boxers Rocky and the Raging Bull, get the full make-fun-of treatment in the Christmas Day Film “Grudge Match.”

Film Review: ‘Pacific Rim’ is Classic Sci-fi Cult Movie Joy

CHICAGO – Leave it to the wondrous auteur, director Guillermo del Toro, to push the boundaries of giant science fiction epics simply by paying homage to their predecessors. The grand, glorious embrace of “Pacific Rim” leaves no stone of cult film fun unturned.

Film Review: ‘Man of Steel’ is Strong, But Not Completely Heroic

CHICAGO – Place the Superman legend into the hands of director Zack Snyder (“Watchmen”) and storyteller/producer Christopher Nolan (“Dark Knight”), and old Supes is bound for a makeover in “Man of Steel.” When it works, it’s adds to a legend’s richness. When it doesn’t, it is less than hero.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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