CHICAGO – Put in a dash of crazy, add a dash of funny and you are defining “The Asylum,” a catch-all name for a couple of show events in Chicago, playing at The Apollo Theater Studio through February 23rd, 2017. Behind the scenes of these showcases is producer Michael Sanow, a Chicago theater veteran. For “The Asylum” information regarding the “Atypical Musical Comedy Show” (Tuesdays) and “Access Comedy” (Thursdays), click here.
CHICAGO – After he reigned as the father in the classic 1979 film “Breaking Away,” actor Paul Dooley suddenly became everyone’s Dad – and by everyone that meant Molly Ringwald (“Sixteen Candles”), Julia Roberts (“Runaway Bride”) and Helen Hunt (“Mad About You”). He tells all in PART TWO of a comprehensive interview.
CHICAGO – If there ever was a quintessential “Dad” in movies of the last generation, it would have to be Paul Dooley. The comedian and character actor is best known for portraying the patriarch in “Breaking Away” (1979) and “Sixteen Candles” (1984), but was also in director’s Robert Altman’s ‘ensemble’ and has had a stellar career.
CHICAGO – This forgettable time waster is mildly amusing as long as you don’t let yourself go into mourning over Robert Deniro’s career. But then again that almost goes without saying these days. Likewise Stallone who has had far more interesting career choices in the last decade than this. The pair play retired boxers who comes out of retirement for one last fight. One for the paycheck. The other to settle an old score.
CHICAGO – Sylvester Stallone and Robert De Niro – between them they have over 150 film credits in careers stretching back to the 1960s. Two of their most famous roles, boxers Rocky and the Raging Bull, get the full make-fun-of treatment in the Christmas Day Film “Grudge Match.”
CHICAGO – Some comedies improve when they climb down off the big screen and take up residence on the small one. Perhaps it’s just that we’re more forgiving at home then we are when we’re paying a fortune for tickets, parking, and popcorn. Or we’re just more accustomed to bad comedy writing on TV. However, “The Incredible Burt Wonderstone,” one of the more notable box office flops of 2013 so far (it couldn’t crack $23 million TOTAL) is not one of those better-at-home comedies. It’s still a stunniningly flat, boring piece of work and the scant special features do nothing to improve it.
CHICAGO – It’s this simple – “The Incredible Burt Wonderstone” just isn’t funny. Sure, there are a few laughs here and there and some of the supporting cast works but the leads are woefully miscast and most of the jokes hit with all the awkward silence of a Bennigan’s tableside magician who guesses the wrong card.
CHICAGO – Ben Affleck’s stellar “Argo” won three Oscars last night, including Best Picture of 2012, and Warner Bros. very purposefully timed the Blu-ray and DVD release to capitalize on the film’s wave of success. But they didn’t cut corners to do so. This is one of the best Blu-ray releases in some time, with a stellar collection of special features that don’t just enlighten viewers on the art of filmmaking but offer detailed histories of the true story that just won the Best Picture Academy Award.
CHICAGO – Three actors, with three Oscars and an astounding 14 nominations between them, obviously have lost the ability to read a script late in their careers. That or the producers had dirt on them. There is no other reason why Al Pacino, Alan Arkin and Christopher Walken would be the “Stand Up Guys.”
CHICAGO – Ben Affleck has reached the apex of his already impressive directorial career with the stunning “Argo,” a tight, tense machine of a film, a masterwork that delivers as comedy, action, drama, and more. Critics see movies all the time that we understand may produce a divided response. We get that many acclaimed films won’t make a dent with the populous.