CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – I’ve been quoting Martin Scorsese over the years, that he said “movies are a psychotic’s feverish dream on display.” In searching for those words, I found he never said it. He did say they are “dreams with eyes open.” So let us combine the two quotes in analyzing Terence Malick’s “Knight of Cups.”
CHICAGO – One of the best films of 2015 is the atmospheric and kinetically performed “Carol.” The film, set in the early 1950s, depicts a love that dares not speak its name, and also showcases the breathtaking presence of actress Cate Blanchett as the title character. The director of the film is the veteran Todd Haynes, known for another set-in-the-1950s classic, “Far from Heaven,” as well as “Velvet Goldmine,” “I’m Not There” and the recent HBO miniseries “Mildred Pierce.”
CHICAGO – One of the indications of how the story depicted in “Truth” still resonates was that the CBS Network refused to show advertising for it. The film is a lesson in messing with true power – CBS News went after the ruthless Bush administration during an election year, and they went down.
CHICAGO – All great things come to an end, and the 51st Chicago International Film Festival is no exception, concluding on October 28th and 29th, 2015, with the Best of the Fest, in addition to a special presentation of the new Todd Haynes’ film “Carol’ and their Closing Night film event, the tense journalism thriller “Spotlight.”
CHICAGO – In the years since “Shrek,” the fractured fairy tale has become Hollywood’s default approach. We’ve been treated to so many irreverent and increasingly labored treatments of storybook characters, that Disney’s new live-action “Cinderella” comes off as relatively fresh by comparison.
Film Review: Too-Long ‘The Hobbit: The Battle of the Five Armies’ Delivers on Intimate, Hand-to-Hand CombatSubmitted by HollywoodChicago.com on December 17, 2014 - 3:36pm
CHICAGO – Though he’s never been called it before in scientific speak, I’m saying it now: Peter Jackson is a master of mitosis. He’s one of Hollywood’s best in splitting up the cinematic cellular DNA of one story into three because, apparently, he can’t do epics unless they’re in groups of three.
CHICAGO – To celebrate the release of “The Hobbit: The Battle of the Five Armies” in cinemas, HollywoodChicago.com, Warner Bros. Pictures, Metro-Goldwyn-Mayer Pictures and New Line Cinema are giving away 30 pairs of advance-screening passes to the highly anticipated “The Hobbit: The Battle of the Five Armies”!
CHICAGO – Character actor Djimon Hounsou (Jee-mahn Hahn-soo) is memorable in any role he takes on – whether it’s working with Steven Spielberg in “Amistad,” or being so indelibly subtle for “In America.” Hounsou has also forged a true character in his voiceover work as Drago Bludvist in “How to Train Your Dragon 2.”
CHICAGO – “How to Train Your Dragon 2” is spectacular in 3D, the filmmakers actually geared the film to enhance that much maligned vision. It also features a warm and heroic story about the coming-of-age for the character Hiccup, and his now fully trained dragon, Toothless.
CHICAGO – Congratulations to Cate Blanchett as she picks up her second Oscar at the 86th Academy Awards on March 2nd, this time as Best Actress for her brilliant performance in the film “Blue Jasmine.” Blanchett adds the trophy next to the Oscar she won as Best Supporting Actress in 2005 for portraying Katharine Hepburn in “The Aviator.”