CHICAGO – The awesomeness of history loses any of its stuffiness with the incredibly fun, indeed educational show “Drunk History” from Comedy Central, its two seasons now released on DVD. Hosted by its creator Derek Waters, the show is a celebration of various historic figures and their under-appreciated true tales, as expressed by funny people narrating in the universal language of inebriation; their recounts are then reenacted by famous actors working with their given dialogue, dressed with the comic cheapness of a bloated biopic.
CHICAGO – The old man as macho action hero trend has finally calcified. If you haven’t seen either of the two previous “Expendables” pictures – this is definitely not the place to start. Sylvester Stallone’s creaky franchise hits rock bottom.
CHICAGO – Not much is really revealed about the subject of the documentary “Supermensch: The Legend of Shep Gordon,” co-directed by comedian Mike Myers. Shep is a rock star agent, Shep gets rich, Shep shares his Hawaiian beach condo with big stars, Shep represents gourmet chefs, Shep likes to cook and Shep strangely wants kids, despite being in his sixties and not being able to maintain any domestic relationship. There is no there in this film, only the spoils of good representation.
CHICAGO – This forgettable time waster is mildly amusing as long as you don’t let yourself go into mourning over Robert Deniro’s career. But then again that almost goes without saying these days. Likewise Stallone who has had far more interesting career choices in the last decade than this. The pair play retired boxers who comes out of retirement for one last fight. One for the paycheck. The other to settle an old score.
CHICAGO – Jason Statham has become an amorphous blob in the action genre, but an amorphous blob who is his own archetype, nonetheless. With the “Expendables” movies he began to take the genre torch from Sylvester Stallone, and now working from a script by Stallone in “Homefront”, his Americanization is nearly certified. That being said, watching Jason Statham tattoo a bald eagle on himself might be more enjoyable than his latest addition to a bloated filmography, “Homefront”. That, or staging a debate with Stallone and Statham about gun control.
CHICAGO – Sylvester Stallone and Robert De Niro – between them they have over 150 film credits in careers stretching back to the 1960s. Two of their most famous roles, boxers Rocky and the Raging Bull, get the full make-fun-of treatment in the Christmas Day Film “Grudge Match.”
CHICAGO – Sylvester Stallone is a difficult man to comprehend, unless if doing a thesis on male menopause. The one time screenwriter of gritty soul pictures like “Rocky,” “Paradise Alley” and “First Blood” is spending his later years pumping out undistinguished boom-boom pictures like “Homefront.”
CHICAGO – Great action movies have one truth in common – they mix their face-offs with a psychological battle, which complements the pyrotechnics of invincible super humans. “Escape Plan,” with grizzled veterans Sylvester Stallone and Arnold Schwarzenegger, is true to that form.
HollywoodChicago.com Hookup: 40 Pairs of Passes to ‘Escape Plan’ with Sylvester Stallone, Arnold SchwarzeneggerSubmitted by HollywoodChicago.com on October 13, 2013 - 7:14pm
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 40 pairs of advance-screening movie passes up for grabs to the new thriller “Escape Plan” starring Sylvester Stallone and Arnold Schwarzenegger!
CHICAGO – “You had me at f**k you.” The gruff, primal tone of a line like that delivered by Sly Stallone and directed by the legendary Walter Hill has an undeniable B-movie kick but there’s not enough of that in “Bullet to the Head,” ceremoniously ignored in theaters and likely to find a bigger audience at home but still a disappointment. Don’t believe the hype that made this flick out to be a total disaster — Hill is too talented for that — but it is a misfire.
CHICAGO – These are the times that try a film critic’s soul. Right after the awards season, and the lofty artistic films, comes the dump zone of January and the rejected reel orphans of the “industry.” Sylvester Stallone, once an Oscar winner, now “entertains” us with with harsh violence in the ‘Bullet to the Head.’