CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – It’s been five years since the last Harry Potter film, and for fans eager to scratch that itch for a dreamworld of magic again “Fantastic Beasts and Where To Find Them” will probably suffice. It’s this story’s tangential connection to the Harry Potter universe that is its biggest asset – but the film unfortunately can’t muster up much wonder on its own.
CHICAGO – Evoking the name Liv Ullmann is to bring back one of the more glorious and creative periods of Scandinavian cinema, especially the films of Ingmar Bergman. The actress has directed her seventh film, the passionate adaptation of an August Strindberg play, “Miss Julie,” featuring Jessica Chastain and Colin Farrell.
CHICAGO – The 2014 edition, the 50th Chicago International Film Festival, kicks off tonight on October 9th. The premiere film will be “Miss Julie,” an adaptation of the August Strindberg play adapted and directed by Liv Ullmann. The first weekend promises a scintillating variety of cinema indulgences.
CHICAGO – One of the finest places in the world to witness its best cinema is the Chicago International Film Festival, which is now hitting its golden year of 50. This year’s festival boasts a lineup of top tier entries from world renowned filmmakers, packaged in the distinct Chicago flavor that keeps the city on a level all its own.
The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.
CHICAGO – The poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” makes a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.”
CHICAGO – The world of creation, and the imagination behind it, gets an honorable and elegantly performed treatment in the fascinating “Saving Mr. Banks.” What seems like a “making of” film about the legendary “Mary Poppins,” becomes much more rich in symbolism and consideration.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 100 pairs of advance-screening tix up for grabs to the “Mary Poppins” backstory “Saving Mr. Banks” with Emma Thompson and Tom Hanks!
CHICAGO – It’s unlikely that you’ll see a more visually striking American animated film in 2013 than Fox and Blue Sky Studios’ “Epic,” a film that was written off by many critics and audience members in its May release but that has more going for it than your average family fare. Now available on Blu-ray and DVD, “Epic” frustrates in the way that it too often falls back on storytelling crutches that we’ve seen before but the movie looks great at every turn. It’s the kind of animated flick that’s designed to show off your new Blu-ray player and accompanying HD TV. The special features are disappointingly thin but the movie deserved a bigger audience that it is likely to find on Blu-ray.
CHICAGO – “Dead Man Down,” recently released on Blu-ray and DVD, isn’t the awful movie that you may have heard but it is a misfire from a pretty talented cast and the director of the original “The Girl with the Dragon Tattoo.” The great ensemble and modestly entertaining noir concept are defeated by leaden direction that mistakes tedium for tone. It’s just boring, which is almost difficult to believe given the notable screen charisma of its stars.