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Film Review: Aubrey Plaza Steers the Unsettling ‘Ingrid Goes West’

CHICAGO – Aubrey Plaza (“Parks and Recreation”) is an actor who always seems to do something memorable in her performances. In “Ingrid Goes West,” she carries an entire movie on her quirky and sometimes disturbing character… that of a bipolar stalker who can’t find balance.

Film Review: Story in ‘Wind River’ Gets Scattered in the Breeze

CHICAGO – Writer/Director Taylor Sheridan is a deep thinker regarding humanity in these United States. In the third film of his “American Frontier Trilogy” – after “Sicario” and “Hell or High Water” – he goes to the Wyoming Native American reservation, for a unwieldy story titled “Wind River.”

Film Review: Marvel Studios Reaches New Heights in Satisfying ‘Captain America: Civil War’

CHICAGO – “Captain America: Civil War” is more of an “Avengers” movie than it is a Captain America movie. But that’s okay because this is easily the best Avengers movie Marvel Studios has ever made, and it also might be the best movie the studio has ever made.

Interview: Tom Hiddleston, Director Marc Abraham on ‘I Saw the Light’

CHICAGO – The legacy of country music singer Hank Williams is embraced in every lonesome twang you hear in any song. The actor Tom Hiddleston (“Thor”) transcends his Loki roots to embody the 1950s songster in a way that is otherworldly, working from the script and direction of Marc Abraham.

Film Review: ‘Avengers: Age of Ultron’ More Exhausting Than Exhilarating

CHICAGO – “The Avengers: Age Of Ultron” is another overstuffed, action packed CGI addled slugfest from the Marvel Cinematic Universe. but the effects are exhausting instead of exhilarating. What has set the Avengers apart is the great interplay between the characters – and when the movie stops to take a breath, those relationships shine through.

Film Review: Rousing ‘Avengers: Age of Ultron’ Hits Modern Society’s Central Nervous System

Avengers: Age of Ultron with James Spader

CHICAGOLook. We all know sequels usually suck. And blockbuster films often get panned for overprioritizing special effects at the expense of a well-written story and character development. Even when a story in a big-budget film is redeeming, it’s practically impossible not to shoot holes through it.

Film Review: Mixed Bag of Marvel Tricks in ‘Avengers: Age of Ultron’

CHICAGO – Whew. There is so much going on in “Avengers: Age of Ultron” that you practically need a program to keep up with the players. This mixed bag has overwrought comic book action, head shaking plot points, and the usual Marvel angst that includes some riveting scenes.

Film Review: Hollywood’s ‘Godzilla’ Misses, Mocks Ishirô Honda’s Main Warning Message

CHICAGO – Except for the clear purpose of cashing in on yet another “Godzilla” remake, everything is happening for no reason. Worst of all, what is ensuing misses and even mocks the reason why Ishirô Honda originated 1954’s “Godzilla” in the first place.

Film Review: ‘Godzilla’ Just Goes Where He Has Gone Before

CHICAGO – I did not like Godzilla. That sentence alone might make my review interesting enough to attract some initial attention. But despite that, and despite the fact that I’m a sucker for pretty much giant anything if it stomps a city, I’m holding fast to this judgment.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.

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