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Steve Buscemi

TV Review: Amazing Ensemble Drives Success of ‘Boardwalk Empire’

CHICAGOHBO’s “Boardwalk Empire” found a narrative urgency and a deep sense of poetic melancholy in 2012’s season three, the best of the program’s run to date.

Blu-ray Review: ‘The Incredible Burt Wonderstone’ Isn’t Funny at Home Either

The Incredible Burt Wonderstone

CHICAGO – Some comedies improve when they climb down off the big screen and take up residence on the small one. Perhaps it’s just that we’re more forgiving at home then we are when we’re paying a fortune for tickets, parking, and popcorn. Or we’re just more accustomed to bad comedy writing on TV. However, “The Incredible Burt Wonderstone,” one of the more notable box office flops of 2013 so far (it couldn’t crack $23 million TOTAL) is not one of those better-at-home comedies. It’s still a stunniningly flat, boring piece of work and the scant special features do nothing to improve it.

Film Review: Pixar Scores Again With Delightful ‘Monsters University’

CHICAGO – Let’s everybody say it together, “the key to great animation is a great story.” This has to be the motto for Pixar Animation – now part of Disney. Their latest, “Monsters University,” is a prequel with a heart, soul and attention to what makes this type of entertainment work.

Film Review: Nothing Magical About ‘The Incredible Burt Wonderstone’

CHICAGO – It’s this simple – “The Incredible Burt Wonderstone” just isn’t funny. Sure, there are a few laughs here and there and some of the supporting cast works but the leads are woefully miscast and most of the jokes hit with all the awkward silence of a Bennigan’s tableside magician who guesses the wrong card.

Film Review: ‘Hotel Transylvania’ Proves Hyper Isn’t Always Funny

CHICAGO – It was probably just a matter of time. With the current vampire craze dominating pop culture in flicks like “The Twilight Saga” and shows like “True Blood,” it was inevitable that creatures of the night be turned into family entertainment. Even “Abbott & Costello Meet Frankenstein” was recently released on Blu-ray and Universal is about to unleash a whole set of HD monster movie classics. Monsters are hip. “Hotel Transylvania” does its best to put a nail in that coffin.

TV Review: HBO’s ‘Boardwalk Empire’ Returns with Most Intense Season Premiere Yet

CHICAGO – “Ordinary men avoid trouble. Extraordinary men turn it to their advantage.” Isn’t that line from the second episode of the third season of “Boardwalk Empire,” returning tonight, September 16, 2012 on HBO, really at the core of everything we know about Nucky Thompson (Steve Buscemi) and the people that play in his circle of violence?

HollywoodChicago.com Games: Play Flash Games For Adam Sandler’s ‘Hotel Transylvania’

Hotel Transylvania: Dracula's Maze game

CHICAGOPlay our Flash games now! Navigate through Dracula’s maze! Help zombie bellhops navigate suitcases to the correct guest room! Help Wayne the werewolf drag his pups back to their pen! HollywoodChicago.com and Sony Pictures Animation are happy to share with you these fun, family friendly Flash games to play now for free!

Film Review: Sirens Flash Red for Woody Harrelson in ‘Rampart’

Rampart

CHICAGO – The “thin blue line” is a police term. It represents the designation between the protection the police provides and the anarchy that is on the other side of that protection. The cop that Woody Harrelson portrays in “Rampart” crosses that line repeatably, formulating his own retribution.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • 47 Ronin with Keanu Reeves

    CHICAGO – If you’ve ever wondered what the difference is between a director and a producer, let “47 Ronin” explain how the hierarchy of creativity hinders the evolution of even the most straightforward-sounding pitches. “47 Ronin” is the type of samurai movie set in Japan that features native actors speaking only English, while Keanu Reeves stars as an outsider clearly plunked into the picture for stateside star power.

  • A Field in England (teaser)

    CHICAGO – I can’t recommend this more. “A Field in England” is a flashback and a flash forward all at once. It’s impossible to watch without thinking of great counter culture cinema. In fact when I saw it at Fantastic Fest 2013 it played as part of a double bill with Ken Russell’s “The Devils” (1971). They made perfect cinematic companion pieces. Russell’s film concerned a wayward priest desperate to protect his 17th century city from corruption in the Church only to fall victim to group hysteria when he is, ironically, accused of witchcraft by a jealous nun.

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