CHICAGO – The legacy of public housing is one of the strangest forces of karma in the City of Chicago. For example, sites that were once some of the roughest and most neglected housing for the poor now contain luxury condos. It is the people of those former hellholes that still remember the sorrowful history of what they once called home. The American Theater Company (ATC) have gathered these stories for the poignant and extraordinary “The Projects.”
Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 20 pairs of advance-screening movie passes up for grabs to the new music comedy/drama “Begin Again” from the writer and director of the Oscar-winning film and Broadway musical “Once”!
CHICAGO – Martin Starr is an actor who is a player. After making an amazing TV debut in “Freaks and Greeks,” as Bill Haverchuck, he has parlayed that unforgettable breakthrough into a number of top roles, including in the film “Dead Snow: Red vs. Dead,” which played at the 2014 Chicago Critics Film Festival.
CHICAGO – I have a high tolerance for Seth Rogen, but he begins to show some signs of creative exhaustion in “Neighbors,” a raunchy frat house comedy that’s never quite as funny as it should be. Rogen’s onscreen persona here comes dangerously close to schtick.
CHICAGO – In his directorial debut “Bad Words”, Jason Bateman plays Guy Trilby, a foulmouthed 40 year old man who aggressively competes in local youth spelling bees. The children are confused, and their parents are furious. However, the isolated Guy has no fear, with all of the rule loopholes in his back pocket.
CHICAGO – Why should Judd Apatow and Lena Dunham have to apologize for making films about white upper-class people, considering they are indeed members of the white upper-class? Does their whiteness make their voices any less worthy of being heard? Is it the painstakingly intimate nature of their comedy that rubs some viewers the wrong way? Would these viewers prefer impersonal formulaic retreads populated by token representatives of every race on earth? I can’t imagine anything more dull.
CHICAGO – In the latest HollywoodChicago.com Hookup: Combo Pack with our unique social giveaway technology, we have 5 free Blu-ray and DVD combo packs up for grabs for the highly anticipated home release of the sort-of “Knocked Up” sequel “This is 40”!
CHICAGO – Judd Apatow’s “This is 40” is a true disappointment, a comedy that purports to say something honest and insightful about approaching middle age in the ‘10s but blurs truth by smothering it in contrivance and cliché.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 30 pairs of movie passes up for grabs to the advance screening of “This is 40,” which is the sort-of sequel to “Knocked Up” from Judd Apatow!
CHICAGO – Morgan Spurlock is an awfully likable guy. I’ll never forget the day when he held a special screening of “Super Size Me” for an auditorium full of college kids. After participating in an extended Q & A, Spurlock spoke with every single student that wanted to shake his hand and pose for a picture. When the building finally had to close up for the night, the Spurlock love fest spilled out onto the sidewalk.