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Film Review: ‘Baby Driver’ Runs on the Fast Track of Movieland

CHICAGO – While it may seem that we’ve seen this type of tough-guy robbery gang film before, “Baby Driver” lives in its own universe, that of the movieland of movies. It is rich in squealing tires, bang-bang guns synched to the soundtrack, and a mystery cool boy creating his own star-crossed romance.

Film Review: No Need to Bother ‘Keeping Up with the Joneses’

Keeping Up with the Joneses

CHICAGO – “Keeping Up With The Joneses” illustrates how hard it really is to make a funny action comedy. After watching this, I have begun to think that the ones that work are something of anomaly – more often than not they’re like this. An amiable but aimless project that can’t quite grasp what it wants to be and doesn’t have the vision or the laughs to sustain itself.

Film Review: ‘Absolutely Fabulous: The Movie’ Too Thin to be Completely Winning

Absolutely Fabulous: The Movie

CHICAGO – As far as TV shows that fans wish could be movies, the cult hit “Absolutely Fabulous” was high on the list. The adventures of Patsy and Edina, two middle age Brits with an appetite for self medication, has had a dedicated following since it premiered in 1992. Even though there were six full TV seasons, and various reunions, “Absolutely Fabulous: The Movie” has emerged.

Entertainment News: Best Picture ‘The Revenant,’ TV’s ‘Mr. Robot’ Are 2016 Golden Globe Winners

CHICAGO – The best of 2015 in film and TV was celebrated at the 73rd Golden Globe Awards on January 10th, 2016. Hosted with the usual sass by Ricky Gervais, the Globes honored “The Revenant” (Drama) and “The Martian” (Comedy) as Best Pictures, and surprised in TV Best categories with “Mr Robot” (Drama) on the USA Network and “Mozart in the Jungle” (Comedy) on Amazon Video.

Film Review: Nothing of Substance in Cute, Fluffy ‘Minions’

CHICAGO – They’re cute, they talk like babies, and they already have “brand recognition.” In what feels like a product exercise rather than a movie, “Minions” extends its story from the dawn of time to 1968. Did we need that much back story? The voices of Sandra Bullock and Jon Hamm star.

Film Review: ‘Million Dollar Arm’ Misses the Strike Zone

CHICAGO – “Million Dollar Arm” harkens back to a period of shameless family friendly schmaltz that used to play to families in theaters and then run in perpetuity on “The Wonderful World Of Disney” on television. But this treacly baseball drama throws nothing but balls.

TV Review: Larry David’s ‘Clear History’ Appeases Fans of ‘Curb Your Enthusiasm’

CHICAGO – There hasn’t been a new episode of Larry David’s brilliant comedy, “Curb Your Enthusiasm,” in almost two years and the creator of the HBO program has yet to commit to ever doing a ninth season, saying recently to TV Guide to ask him again in six months.

TV Review: Characters of ‘Mad Men’ Getting Lost in Changing World

CHICAGO – Don Draper (Jon Hamm) is no longer the most popular person in the room. Time, depression, alcoholism, and the changing politics have altered this character, once such a vital force of human nature. Remember the days when everything Don said hit with the client? When he could juggle secret pasts and multiple mistresses? One of the most prominent arcs of “Mad Men” overall has been how that Don is fading away as the ’60s head toward the next decade.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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