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Chris Hemsworth

Film Review: Tartan Prancer – Yes, a Fictional Albanian Car – Steals the Otherwise Borrowed Show in ‘Vacation’

CHICAGO – Retreads from classics are often as weary as having to write that they are almost never as good as the original. And here we go again with the Ed Helms-led “Vacation,” which fails to capitalize on the beloved Chevy Chase film “National Lampoon’s Vacation” from 1983.

Film Review: ‘Avengers: Age of Ultron’ More Exhausting Than Exhilarating

CHICAGO – “The Avengers: Age Of Ultron” is another overstuffed, action packed CGI addled slugfest from the Marvel Cinematic Universe. but the effects are exhausting instead of exhilarating. What has set the Avengers apart is the great interplay between the characters – and when the movie stops to take a breath, those relationships shine through.

Film Review: Rousing ‘Avengers: Age of Ultron’ Hits Modern Society’s Central Nervous System

Avengers: Age of Ultron with James Spader

CHICAGOLook. We all know sequels usually suck. And blockbuster films often get panned for overprioritizing special effects at the expense of a well-written story and character development. Even when a story in a big-budget film is redeeming, it’s practically impossible not to shoot holes through it.

Film Review: Mixed Bag of Marvel Tricks in ‘Avengers: Age of Ultron’

CHICAGO – Whew. There is so much going on in “Avengers: Age of Ultron” that you practically need a program to keep up with the players. This mixed bag has overwrought comic book action, head shaking plot points, and the usual Marvel angst that includes some riveting scenes.

Film Feature: Global Hacking of ‘Blackhat’ is the Future of Action Movies

Blackhat 2015 Hemsworth, Computer, Viola Davis

CHICAGO – “Blackhat” is a hacker’s actioner of high-tech and low-tech genre jolts, but its construction provides a thrill of its own - that of witnessing the next era of the action movie.

Film Review: Hacker Thriller ‘Blackhat’ Has a Finger on the Enter Key

CHICAGO – A speedy film project can take about a year from conception to final cut; director Michael Mann’s wired-in thriller “Blackhat” might as well have been written, shot, and cut last month. Not just because of its epilogue to the rise and defeat of the Guardians of Peace, but for its modernity.

HollywoodChicago.com Hookup: 60 Pairs of Passes to ‘Blackhat’ With Chris Hemsworth

CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 60 pairs of advance-screening movie passes up for grabs to the highly anticipated new thriller “Blackhat” starring Chris Hemsworth from writer and director Michael Mann (“Heat,” “Ali,” “Public Enemies”)!

Blu-ray Review: Dwayne Johnson’s Ferociously Generic Warrior Tale ‘Hercules’

Hercules with Dwayne Johnson

CHICAGO – Dwayne Johnson slams and jams in the bland “Hercules,” the “Space Jam” he never made when known as a brow-raised wrestler under his birth name “The Rock.” This ferociously generic take on the mythological hero focuses on Hercules with a group of mercenaries (played by Rufus Sewell among others) as they train a group of gee-shucks farmers to become warriors, while they project legends of immortality onto Johnson’s secretly mortal hero.

Film Review: Forced ‘Thor: The Dark World’ Sequel Lacks Passion, Sci-Fi Basis

CHICAGO – For me and the subculture as a whole, so much of science fiction came from “Star Trek”. If creator Gene Roddenberry were alive today to witness “Thor: The Dark World,” he’d tell it to focus on being a superhero film rather than failing to dabble in science fiction.

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  • Punk Punk

    CHICAGO – For theater that is audaciously in-the-now and generates a sparkle of life, there are few better storefront (garage, gothic gathering place) groups than “Nothing Without a Company.” Their latest, eclectic kick-in-the-head production is the intensely diverting and weirdly fun “Punk Punk.”

  • Assassination Theater

    CHICAGO – There are two dates in modern American History that ring in the heads of certain generations. Of course, there is September 11th, 2001, but the granddaddy of that date is November 22nd, 1963. That is when an American president, John F. Kennedy, was shot point blank in the head and killed on the street of an American city. The official proclamation from the government is that a lone assassin, Lee Harvey Oswald, fired those shots. In a new Chicago play, “Assassination Theater,” subtitled “Chicago’s Role in the Crime of the Century,” the jury is still decidedly out.


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