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Film Review: Two Stories Clash in Uneven ‘Rules Don’t Apply’

Rules Don't Apply Front

CHICAGO – Movie icon Warren Beatty had wanted to make a film about 20th Century billionaire Howard Hughes for close to 40 years. On the heels of Martin Scorsese’s “The Aviator,” Beatty has written, directed and portrays Hughes in “Rules Don’t Apply,” and has created a strange farce about the mogul and a romance tale around him.

Interview: Lily Collins & Alden Ehrenreich of ‘Rules Don’t Apply’

CHICAGO – If there is one star-crossed couple in this fall’s movie line-up, it’s Marla and Frank of “Rules Don’t Apply,” as portrayed by Lily Collins and Alden Ehrenreich. The two popular young actors are trying to connect by the standards of late 1950s Hollywood in the film, a looser atmosphere but still difficult for two religious outsiders.

Interview: Film Icon Warren Beatty Knows ‘Rules Don’t Apply’

CHICAGO – When encountering film producer, director, writer and “movie star” Warren Beatty, I entered into an interview that would be truly one of a kind. The spontaneous Mr. Beatty works a talk in a give-and-take Socratic method, searching for the truth underneath the rhetoric, as he did with his new film “Rules Don’t Apply.”

Film Review: ‘Concussion’ Can’t Quite Tackle its Difficult Subject

Concussion

CHICAGO – “Concussion” suffers from what I call the “Moneyball” problem – it’s got an interesting subject matter, but it doesn’t seem to know what to do with it. It doesn’t have enough faith in its own material or its audience, so it stocks up on a lot of off-the-shelf melodrama in effort to avoid digging into what makes the story interesting in the first place. It’s also a movie that chickens out at the end and seems afraid to pick a fight.

Film Review: ‘Mission: Impossible - Rogue Nation’ at Top of Its Game

CHICAGO – The sensational summer movie season of 2015 still has some pulse pounding tricks up its sleeve, and “Mission: Impossible - Rogue Nation” fulfills that sensation with a wham-bam bag of spy games. Tom Cruise, Simon Pegg and Jeremy Renner are back, joined by femme kick-ass Rebecca Ferguson.

Interview: Rebecca Ferguson of ‘Mission: Impossible - Rogue Nation’

CHICAGO – When it comes to keeping up with the boys, actress Rebecca Ferguson is equal to any task in the upcoming “Mission: Impossible - Rogue Nation.” She portrays Ilsa, an undercover spy who could be going rogue, and treats the audience to her signature leg clamp, motorcycle skills and action-based heroism.

Film Review: SNL Rightly Touts Its Influence in ‘Live From New York!’

Livefront.jpg

CHICAGO – Love, hate or maintain indifference to it, the TV dinosaur “Saturday Night Live” has and will continue to influence American culture as long as it may reign. To celebrate its 40th Anniversary, filmmaker Bao Nguyen takes a fresh look at the iconic television show in “Live From New York!”

Film Review: Unusual, Passionate ‘Aloha’ is Deeply Resonant

CHICAGO – Films with major movie stars that take real chances on story formula are rare. “Aloha” is one such example, and produces considerations that are way off the beaten path. Is it an allegory? An absurdity? An homage to 1960s paranoia? Only writer/director Cameron Crowe knows for sure.

Film Review: Julianne Moore Delivers Shattering Portrayal in ‘Still Alice’

Still Alice

CHICAGO – In one of the best film acting performances from 2014, Julianne Moore devastatingly portrays a woman in her fifties who is a victim of early onset Alzheimer’s disease. As the effects of dementia physically deteriorates her life, it is a wonder if she is “Still Alice.”

Film Review: ‘Blue Jasmine’ Puts Woody Allen Back on Top

CHICAGO – The auteur Woody Allen is one of the most prolific post-studio-system directors, averaging one film a year for close to 40 years. His meditations on life have become part of the culture, and he brilliantly expresses himself once again – with help from Cate Blachett – in the emotional “Blue Jasmine.”

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  • [Trans]formation

    CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.

  • Life Sucks

    CHICAGO – Let’s face it, life does suck. But what can we do about that? How do we survive? Lookingglass Theatre Company’s latest stage presentation tries to answer those thorny questions through a group of fellow travelers, flung together at a cabin retreat, trying to figure out why (indeed) “Life Sucks.”

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