CHICAGO – For theater that is audaciously in-the-now and generates a sparkle of life, there are few better storefront (garage, gothic gathering place) groups than “Nothing Without a Company.” Their latest, eclectic kick-in-the-head production is the intensely diverting and weirdly fun “Punk Punk.”
CHICAGO – For the younger set unable to experience the mystique of Dracula, Wolfman and Frankenstein in their original creations, “Hotel Transylvania 2” may prove to be an introduction to the legendary bloodsucker and his band of movie monsters – and for that Adam Sandler deserves a stake through his heart.
CHICAGO – There are feelings encoded in a film, imparted by the creators, which sometimes takes a while to become apparent. “Me and Earl and the Dying Girl” is an example, with a deceptive surface story that contains an ocean of feelings and emotions within its passionate core.
CHICAGO – In my second meeting with director Alfonso Gomez-Rejon, I was struck by his almost child-like wonder regarding his breakout film, “Me and Earl and the Dying Girl.” Gomez-Rejon bleeds celluloid, and loves films in every fiber of his being. To be able to contribute to the cinema universe is his greatest reward.
CHICAGO – Every so often, a movie makes a huge splash in the ocean of releases, and “Me and Earl and the Dying Girl” is a prime example. Both the jury winner and the audience favorite at the Sundance Film Festival, the film features Thomas Mann (Me), RJ Cyler (Earl) and Olivia Cooke (Dying Girl) as the title characters.
Interview: ‘Me and Earl and the Dying Girl’ Director Alfonso Gomez-Rejon at 2015 Chicago Critics Film FestivalSubmitted by PatrickMcD on May 12, 2015 - 2:30pm
CHICAGO – It was a helluva festival. The third annual 2015 Chicago Critics Film Festival (CCFF) presented films to packed houses, and also featured the stars and the directors from those films. Closing night on May 7th featured “Me and Earl and the Dying Girl,” directed by Alfonso Gomez-Rejon.
CHICAGO – “Danny Collins” is a shoulda-woulda-coulda film. It was inspired by the true story of a John Lennon letter acquired by a musician 40 years after he was suppose to to have received it, and then re-imagined as a cheap soap opera, punctuated by far superior John Lennon songs.
CHICAGO – Dan Fogelman is a familiar behind-the-scenes creator, having wrote scripts and screenplays for “Cars,” “Fred Claus,” “Tangled,” “The Guilt Trip” and “Crazy, Stupid, Love.” He takes on his first directorial effort, the story of “Danny Collins,” a faded rock star who finds redemption through a lost letter from John Lennon.
CHICAGO – “22 Jump Street” is a big budget Hollywood sequel that actively comments on the diminishing returns of sequels. Directors Phil Lord and Christopher Miller know that for every “Lethal Weapon 2,” that manages to surpass the original, there are a dozen “Another 48 Hours”.
HollywoodChicago.com Hookup: 50 Pairs of 6-Packs to 2014 Chicago Critics Film Festival at Music Box TheatreSubmitted by HollywoodChicago.com on May 5, 2014 - 8:51pm
CHICAGO – Exclusive! Free festival 6-packs! In the latest HollywoodChicago.com Hookup: Film, we have 50 pairs of festival 6-packs up for grabs to the second-annual Chicago Critics Film Festival (CCFF) at the Music Box Theatre from the Chicago Film Critics Association!
CHICAGO – The funniest movie in a long while features no human beings, just animated bland faces among interlocking plastic bricks, the toys which inspired the film. “The LEGO Movie” never takes itself seriously, which means huge laughs for the audience.