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Film Review: Unusual, Passionate ‘Aloha’ is Deeply Resonant

CHICAGO – Films with major movie stars that take real chances on story formula are rare. “Aloha” is one such example, and produces considerations that are way off the beaten path. Is it an allegory? An absurdity? An homage to 1960s paranoia? Only writer/director Cameron Crowe knows for sure.

Preview: Final Four Nights of 2015 Chicago Critics Film Festival

CHICAGO – As the Chicago Critics Film Festival (CCFF) – a film festival as programmed by the members of the Chicago Film Critics Association – heads into its last four nights, the variety and depth of the films that are being screened continues to astound and entertain. It all takes place at the Music Box Theatre in Chicago, May 4 through 7, 2015.

Film Review: ‘Dumb and Dumber To’ Too Dumb to Be Funny

CHICAGO – “Dumb And Dumber To” is an exercise in diminishing returns. Jim Carrey and the Farrelly Brothers expend twice the effort for less than a third of the laughs. It benefits greatly from the enormous well of goodwill created by the original’s inspired idiocy.

Blu-ray Review: Bowling Comedy ‘Kingpin’ Rolls Onto Blu-ray

Kingpin Blu-ray

CHICAGO – Before 1998’s “The Big Lebowski” there was 1996’s “Kingpin”, the Farrelly brothers bowling comedy that didn’t have the narrative intricacies of the Coen brothers’ classic, but had plenty of jokes about middle-aged men playing the sport. Today finds the release of “Kingpin” to Blu-ray for the first time, coming with only one new special feature.

Film Review: Phony ‘St. Vincent’ is Bill Murray’s Worst Choice Since ‘Garfield’

CHICAGO – “Garfield, maybe” was the sole utterance of regret that iconic actor/prolific movie-golfer Bill Murray expressed in 2009’s “Zombieland” before he died. Should the adoration for this cameo resurrect him for that film’s announced sequel, Murray will hopefully denounce “St. Vincent,” his most needless and perverse career choice since vocally birthing “Garfield” (and yes, that includes getting a handjob as Franklin Delano Roosevelt in 2012’s also terrible “Hyde Park on Hudson”).

Interview: Ted Melfi Directs Bill Murray in ‘St. Vincent’

CHICAGO – There are few better opportunities for a filmmaker than directing Bill Murray in a character role. Theodore “Ted” Melfi got that assignment, after pursuing Murray with his screenplay for the new film, “St. Vincent.” The effort to convince the veteran comic actor to take the title role paid off, and other notable actors joined in.

Preview: Mid-Week With the 50th Chicago International Film Festival

CHICAGO – The 50th Chicago International Film Festival of 2014 gets into gear this week, with a line-up of films from all over the world. The festival breaks down these films in several categories, including the Main Competition, New Directors, Docufest, Out-Look (LGBT), World Cinema, After Dark and Spotlight Scandinavia.

Film Review: ‘The Grand Budapest Hotel’ is Built by Wes Anderson

CHICAGO – The distinct and strangely alluring style of director Wes Anderson is on opulent display in “The Grand Budapest Hotel.” In what is an eccentric, European style fairy tale, Anderson creates a legend that is forged in his signature, along with the performances of a brilliant cast.

Film News: Director, Comic Actor Harold Ramis Dead at 69

CHICAGO – He was a Ghostbuster, and Bill Murray’s sidekick in “Stripes.” He co-wrote classic modern comedies like “Animal House” and “Caddyshack.” He directed the legendary absurdist comedy, “Groundhog Day.” He is Harold Ramis, and he died on February 24th, according to his wife Erica Mann Ramis.

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  • Punk Punk

    CHICAGO – For theater that is audaciously in-the-now and generates a sparkle of life, there are few better storefront (garage, gothic gathering place) groups than “Nothing Without a Company.” Their latest, eclectic kick-in-the-head production is the intensely diverting and weirdly fun “Punk Punk.”

  • Assassination Theater

    CHICAGO – There are two dates in modern American History that ring in the heads of certain generations. Of course, there is September 11th, 2001, but the granddaddy of that date is November 22nd, 1963. That is when an American president, John F. Kennedy, was shot point blank in the head and killed on the street of an American city. The official proclamation from the government is that a lone assassin, Lee Harvey Oswald, fired those shots. In a new Chicago play, “Assassination Theater,” subtitled “Chicago’s Role in the Crime of the Century,” the jury is still decidedly out.


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