CHICAGO – The power of creativity, and the risk of live theater, is all on display through Nothing Without a Company’s latest amazing journey, “Down the Moonlit Path.” The interactive stage experience refreshes the soul and realizes the joy of life.
CHICAGO – “Dumb And Dumber To” is an exercise in diminishing returns. Jim Carrey and the Farrelly Brothers expend twice the effort for less than a third of the laughs. It benefits greatly from the enormous well of goodwill created by the original’s inspired idiocy.
CHICAGO – Before 1998’s “The Big Lebowski” there was 1996’s “Kingpin”, the Farrelly brothers bowling comedy that didn’t have the narrative intricacies of the Coen brothers’ classic, but had plenty of jokes about middle-aged men playing the sport. Today finds the release of “Kingpin” to Blu-ray for the first time, coming with only one new special feature.
CHICAGO – “Garfield, maybe” was the sole utterance of regret that iconic actor/prolific movie-golfer Bill Murray expressed in 2009’s “Zombieland” before he died. Should the adoration for this cameo resurrect him for that film’s announced sequel, Murray will hopefully denounce “St. Vincent,” his most needless and perverse career choice since vocally birthing “Garfield” (and yes, that includes getting a handjob as Franklin Delano Roosevelt in 2012’s also terrible “Hyde Park on Hudson”).
CHICAGO – There are few better opportunities for a filmmaker than directing Bill Murray in a character role. Theodore “Ted” Melfi got that assignment, after pursuing Murray with his screenplay for the new film, “St. Vincent.” The effort to convince the veteran comic actor to take the title role paid off, and other notable actors joined in.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 30 pairs of advance-screening movie passes up for grabs to the new comedy “St. Vincent” starring Bill Murray and Melissa McCarthy!
CHICAGO – The 50th Chicago International Film Festival of 2014 gets into gear this week, with a line-up of films from all over the world. The festival breaks down these films in several categories, including the Main Competition, New Directors, Docufest, Out-Look (LGBT), World Cinema, After Dark and Spotlight Scandinavia.
CHICAGO – The distinct and strangely alluring style of director Wes Anderson is on opulent display in “The Grand Budapest Hotel.” In what is an eccentric, European style fairy tale, Anderson creates a legend that is forged in his signature, along with the performances of a brilliant cast.
CHICAGO – He was a Ghostbuster, and Bill Murray’s sidekick in “Stripes.” He co-wrote classic modern comedies like “Animal House” and “Caddyshack.” He directed the legendary absurdist comedy, “Groundhog Day.” He is Harold Ramis, and he died on February 24th, according to his wife Erica Mann Ramis.
George Clooney’s “The Monuments Men” is processed cheese. It is a film that has been rewritten, edited, and refined until it has lost all sense of purpose or identity. There’s no flavor left. It is a film that defies genre; not quirky enough to have a comedic personality despite a cast that almost always supplies edge and not engaging enough to work as drama or thriller.
CHICAGO – I’m always astonished when a filmmaker takes a fascinating figure immortalized in history and decides to explore one of the least interesting aspects of their life. “The Iron Lady” was so fixated on celebrating Margaret Thatcher’s gender that it ignored both her achievements and her controversies. “My Week with Marilyn” made the maddening decision to view its titular Hollywood icon through the perspective of a starry-eyed bore.