CHICAGO – The legacy of public housing is one of the strangest forces of karma in the City of Chicago. For example, sites that were once some of the roughest and most neglected housing for the poor now contain luxury condos. It is the people of those former hellholes that still remember the sorrowful history of what they once called home. The American Theater Company (ATC) have gathered these stories for the poignant and extraordinary “The Projects.”
CHICAGO – Films with major movie stars that take real chances on story formula is rare. “Aloha” is one such example, and produces considerations that are way off the beaten path. Is it an allegory? An absurdity? An homage to 1960s paranoia? Only writer/director Cameron Crowe knows for sure.
CHICAGO – As the Chicago Critics Film Festival (CCFF) – a film festival as programmed by the members of the Chicago Film Critics Association – heads into its last four nights, the variety and depth of the films that are being screened continues to astound and entertain. It all takes place at the Music Box Theatre in Chicago, May 4 through 7, 2015.
CHICAGO – “Dumb And Dumber To” is an exercise in diminishing returns. Jim Carrey and the Farrelly Brothers expend twice the effort for less than a third of the laughs. It benefits greatly from the enormous well of goodwill created by the original’s inspired idiocy.
CHICAGO – Before 1998’s “The Big Lebowski” there was 1996’s “Kingpin”, the Farrelly brothers bowling comedy that didn’t have the narrative intricacies of the Coen brothers’ classic, but had plenty of jokes about middle-aged men playing the sport. Today finds the release of “Kingpin” to Blu-ray for the first time, coming with only one new special feature.
CHICAGO – “Garfield, maybe” was the sole utterance of regret that iconic actor/prolific movie-golfer Bill Murray expressed in 2009’s “Zombieland” before he died. Should the adoration for this cameo resurrect him for that film’s announced sequel, Murray will hopefully denounce “St. Vincent,” his most needless and perverse career choice since vocally birthing “Garfield” (and yes, that includes getting a handjob as Franklin Delano Roosevelt in 2012’s also terrible “Hyde Park on Hudson”).
CHICAGO – There are few better opportunities for a filmmaker than directing Bill Murray in a character role. Theodore “Ted” Melfi got that assignment, after pursuing Murray with his screenplay for the new film, “St. Vincent.” The effort to convince the veteran comic actor to take the title role paid off, and other notable actors joined in.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 30 pairs of advance-screening movie passes up for grabs to the new comedy “St. Vincent” starring Bill Murray and Melissa McCarthy!
CHICAGO – The 50th Chicago International Film Festival of 2014 gets into gear this week, with a line-up of films from all over the world. The festival breaks down these films in several categories, including the Main Competition, New Directors, Docufest, Out-Look (LGBT), World Cinema, After Dark and Spotlight Scandinavia.
CHICAGO – The distinct and strangely alluring style of director Wes Anderson is on opulent display in “The Grand Budapest Hotel.” In what is an eccentric, European style fairy tale, Anderson creates a legend that is forged in his signature, along with the performances of a brilliant cast.
CHICAGO – He was a Ghostbuster, and Bill Murray’s sidekick in “Stripes.” He co-wrote classic modern comedies like “Animal House” and “Caddyshack.” He directed the legendary absurdist comedy, “Groundhog Day.” He is Harold Ramis, and he died on February 24th, according to his wife Erica Mann Ramis.