CHICAGO – When faced with adversity, the best way around it is to somehow break into song. That is the feeling behind the Brown Paper Box Co.’s “Positively Present: An Uplifting Cabaret,” running April 7th and 8th at Mary’s Attic in Chicago’s Andersonville neighborhood. The event features company member Kristi Szczepanek as host, and presents song stylings by other company members, including Anna Schutz, plus some special guests. For details and ticket information, click here.
CHICAGO – The young Alec Baldwin (think “Prelude to a Kiss”) never seemed as prevalent as the today’s Alec Baldwin. Taking his “30 Rock” persona to a different level, he voices the title character of ‘The Boss Baby,” the latest from Dreamworks Animation and director Tom McGrath.
CHICAGO – In one of the most natural pieces of voice casting in cartoon history, Alec Baldwin portrays the title character in Dreamworks Animation’s “The Boss Baby.” The director is animation veteran Tom McGrath (“Madagascar”), and the producer is Ramsey Ann Naito, and they were both in Chicago to promote the film.
CHICAGO – Any story involving family interactions is ripe for exploration, and John Krasinski (“The Office”) performs in and takes the director’s chair for the new film, “The Hollars.” This is his second directorial effort, looking at the somewhat dysfunctional title family during a medical crisis involving the mother (Margo Martindale).
CHICAGO – There was something blank within “The Disappearance of Eleanor Rigby: Them,” although it dealt with the issues of loss, family and reconciliation. The all star cast, including Jessica Chastain, James McAvoy and William Hurt, add their performing spins to the story.
CHICAGO – Live from the movies, it’s Bill Hader and Kristen Wiig! The two “Saturday Night Live” veterans are “The Skeleton Twins,” and both have more to do than just be funny. There are moments that sink or swim, depending on the “Twins,” and those parts are greater than the narrative sum.
CHICAGO – The concept of family is a fascinating subject for notable South Korean director Bong Joon-ho. His monster movie “The Host” celebrated those familial bonds, and now an even closer relationship emerges in “Mother.”