CHICAGO – For theater that is audaciously in-the-now and generates a sparkle of life, there are few better storefront (garage, gothic gathering place) groups than “Nothing Without a Company.” Their latest, eclectic kick-in-the-head production is the intensely diverting and weirdly fun “Punk Punk.”
CHICAGO – The newest Adam Sandler film that doesn’t feature him dressed like a chubby middle schooler is really bad, but in a special way. Similarly, it is an instant classic in the legacy of bizarre disasters, a footnote in writer/director history that must be witnessed to be fully understood.
CHICAGO – “Another Happy Day” is essentially the inverse of “Rachel Getting Married.” Instead of an unstable, self-pitying girl wreaking havoc on an otherwise pleasant wedding, we have a sensitive, otherwise pleasant woman driven mad by her unstable, self-pitying family…at a wedding, no less. I’ve seen war enemies with less animosity than this group of miserable basket cases.
CHICAGO – In the new film, “We Need to Talk About Kevin,” there is a breakout performance that is simply mind-blowing. Playing opposite the conflicted mother – portrayed by the great Tilda Swinton – is Ezra Miller, as her son Kevin. The character is a teenager in crisis, motivated by forces beyond his control.
CHICAGO – As someone who has often gone home with a straight-to-DVD action movie that I hadn’t heard of before entering the video store, I know how easy it is to get drawn into something that looks a little bit left-of-center. “Operation: Endgame” is undeniably unusual but that doesn’t mean it’s any good.
CHICAGO – The “thin blue line,’ that imaginary border that separates society between order and chaos, is experienced on a daily basis by the police “force.” The human beings knighted with this responsibility are “Brooklyn’s Finest.”
CHICAGO – Wesley Snipes is a great dresser, among other talents. The coolness and intuitive skills that he had displayed in “Blade,” “White Men Don’t Jump’ and “Passenger 57” is in evidence again with his role of Caz in “Brooklyn’s Finest.”
Top Five Irish Films: ‘Into the West,’ ‘Once,’ ‘The Commitments,’ ‘Bloody Sunday,’ ‘The Wind That Shakes the Barley’Submitted by HollywoodChicago.com on March 28, 2008 - 12:06am
HOLLYWOOD – Someone once said there are two kinds of people: “Those who are Irish and those who wish they were Irish.” While mom claimed I was the first, being an American for a few generations tossed me into the “mutt” category. If there truly is Irish in me, it’s in my big toe or my ring finger, which hardly makes me the Irish lass I had hoped.