CHICAGO – It’s 3am on Saturday night/Sunday morning on August 20th, and you’re just not ready to quit. How about indulging in the 2016 “Abbie Hoffman Died for Our Sins” Theater Festival? The three-day theater marathon is in its 28th edition, and will be sponsored for the final time by the Mary-Arrchie Theatre Company, and hosted by the “Godfather of Storefront Theater,” Rich Cotovsky. It all takes place at the Den Theatre, 1333 N. Milwaukee in Chicago (details below).
CHICAGO – “Captain America: Civil War” is more of an “Avengers” movie than it is a Captain America movie. But that’s okay because this is easily the best Avengers movie Marvel Studios has ever made, and it also might be the best movie the studio has ever made.
CHICAGO – Like improvisational jazz, the performance career of Don Cheadle has many moods, directions and shadings. For his latest film, he takes on the titles of co-writer and director, along with the lead role of music legend Miles Davis. This all comes together is the aptly titled “Miles Ahead.”
CHICAGO – Look. We all know sequels usually suck. And blockbuster films often get panned for overprioritizing special effects at the expense of a well-written story and character development. Even when a story in a big-budget film is redeeming, it’s practically impossible not to shoot holes through it.
CHICAGO – Critics and viewers fell in rapturous adoration of the legend of The Dark Knight when Christopher Nolan and his team took the risk of making character-driven superhero movies. To kick off the second phase of the Marvel Universe of films with this weekend’s “Iron Man 3,” Shane Black and the team behind this guaranteed blockbuster have done the same – presenting us with the most human Marvel flick since “Spider-Man 2.”
CHICAGO – Robert Zemeckis’ brilliant “Flight” has garnered some interesting responses from my friends in that they seem to not like the film because they don’t like Whip Whitaker, Denzel Washington’s alcoholic asshole of a lead character that earned him an Oscar nomination. The fact that Whitaker doesn’t beg to be liked and allows for such a morally gray performance is why I love the film. It’s complex, character-driven storytelling that is becoming increasingly rare in cinema.
CHICAGO – Few films have more deftly walked the tightrope through a moral gray area than Robert Zemeckis’ stunning “Flight,” one of the best dramas of the year that also just happens to include the best performance from two-time Oscar winner Denzel Washington in the last decade.
CHICAGO – Oscar-winning director Robert Zemeckis (“Back to the Future,” “Forrest Gump”) returns to live-action for the first time since “Cast Away” this week with the spectacular “Flight,” starring Denzel Washington, Don Cheadle, Kelly Reilly, and Bruce Greenwood.
HollywoodChicago.com Hookup: 30 Pairs of Passes to ‘Flight’ With Denzel Washington From Robert ZemeckisSubmitted by HollywoodChicago.com on October 25, 2012 - 10:46pm
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 30 pairs of movie passes up for grabs to the highly anticipated advance screening of “Flight” with Denzel Washington from Robert Zemeckis!
CHICAGO – Not to be outdone by HBO, who renewed their Sunday hit “Luck” yesterday, Showtime gave season renewals today to their impressive slate of Sunday shows — “Shameless,” “House of Lies,” and “Californication.” All three have done remarkably well in the ratings as the two veterans have improved on previous season numbers and “House of Lies” has done very well in its first few freshman frames.
CHICAGO – As his excellent “Haywire” plays in theaters and his even-better “Contagion” was recently released on Blu-ray and DVD, one is reminded of the incredible talent of Steven Soderbergh, one of the best living directors. But “Contagion” and “Haywire,” while enjoyable, don’t hold a candle to this incredible filmmaker’s best films, which include “Sex, Lies, and Videotape,” “Out of Sight,” “Che,” and, recently released on Criterion Blu-ray and DVD, the Oscar-winning “Traffic.” This is one of Criterion’s best releases for one of the ‘00’s best films.