CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – Motivated by financial necessity, sequels often mitigate business risk and satisfy studio executives by riding on the coattails of a previous fan base with brand equity. But business aside, to moviegoers the follow-up product so often feels like it “wasn’t nearly as good as the first” or didn’t need to return at all.
CHICAGO – Happy Birthday to DeKalb, Ill., native Cindy Crawford on February 20th. The supermodel went from those modest roots to become one of the most famous cover girls in fashion history. She has appeared on magazines like Vogue, Elle, Cosmopolitan and Allure. She has represented fashions for Versace, Escada, Revlon and Ink. She is a brand name herself, and has launched a furniture line.
CHICAGO – The concept of crime and punishment is a goalpost that is constantly being moved. Justice becomes an discretionary circumstance, sold to the highest bidder. These are just a view of the happy themes in the new film “Arbitrage,” featuring Richard Gere, Susan Sarandon and Brit Marling.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 30 pairs of movie passes up for grabs to the advance screening of “Arbitrage” starring Richard Gere, Susan Sarandon and Tim Roth!
CHICAGO – Avid moviegoers like to pride themselves on their ability to predict twists and turns prior to their occurrence in a script. This is often the result of formulaic writing and creaky clichés, but in the case of Michael Brandt’s “The Double,” no exemplary knowledge of cinema is necessary to foretell every last plot point. Only functional eyesight and an IQ above zero are required.
CHICAGO – Two actors who made a mark in film during the 1980s did it at different points in their lives. Anthony Michael Hall was a teen idol, channeling director John Hughes in “The Breakfast Club” and “Sixteen Candles.” Lou Gossett Jr. won a mid-career Oscar for his role in 1982’s “An Officer and a Gentleman.”
CHICAGO – It’s ironic that a film called “The Double,” starring Richard Gere & Topher Grace, would remind one of so many superior thrillers. It is in itself a double, a carbon copy of better films that focuses on all of the wrong elements, thinking that audiences are still dumb enough that just throwing twist after twist at them will keep their head spinning enough to not realize that what they just saw not only makes no sense at all but wasn’t even remotely entertaining.
CHICAGO – Antoine Fuqua certainly can’t be faulted for a lack of enthusiasm. His movies often skate on the edge of silliness, and occasionally dive headfirst into the wretched waters of overwrought melodrama. But for all his flaws, Fuqua never seems to be phoning it in. His tireless energy and intensity bolsters the impact of his stories, no matter how preposterous they may be.
HollywoodChicago.com Hookup: 25 Passes, Signed Poster For ‘Brooklyn’s Finest’ With Don Cheadle, Richard GereSubmitted by HollywoodChicago.com on March 21, 2010 - 3:47pm
CHICAGO – In our latest crime/drama edition of HollywoodChicago.com Hookup: Film, we have 25 admit-two run-of-engagement movie passes and one signed poster for one grand-prize winner for the new film “Brooklyn’s Finest” from the director of “Training Day”!
CHICAGO – The “thin blue line,’ that imaginary border that separates society between order and chaos, is experienced on a daily basis by the police “force.” The human beings knighted with this responsibility are “Brooklyn’s Finest.”