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Edgar Ramirez

Film Review: Matthew McConaughey is All That Glitters in ‘Gold’

CHICAGO – The relish that Matthew McConaughey displays in creating his latest character in “Gold,” a Willy Loman-type mining exec who is looking for his biggest score, is most of the reason to experience the film. However, there isn’t exactly a motherlode when it comes to the story.

Film Review: ‘Deliver Us From Evil’ Goes Straight for the Jugular

CHICAGO – “Deliver Us from Evil” is director Scott Derrickson’s second foray into possession horror. His first, the excellent “The Exorcism of Emily Rose,” was taut, thoughtful and offered some truly unsettling demon scares.

Film Review: ‘Zero Dark Thirty’ Turns CIA Procedural Into Riveting Thriller

CHICAGO – Kathryn Bigelow opens her stunning “Zero Dark Thirty” with a date and a series of voice mail recordings. The date is, of course, September 11, 2001 and the recordings are the ghosts of the people who died that day, perfectly setting the stakes for the story to come – the hunt for and capture of Osama Bin Laden.

Blu-Ray Review: Incredible Criterion Edition For Olivier Assayas’ ‘Carlos’


CHICAGO – Not all movies are similar in what they demand of the viewer. Obviously, a light mainstream romantic comedy requires a different level of commitment than a French period piece, but even art movies have varying degrees of viewer requirements. Even within the Criterion Collections, there are shorter, easier films and then there are releases like “Carlos,” a stellar epic that runs close to six hours and is accompanied by extensive, elaborate special features.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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