CHICAGO – Let’s face it, life does suck. But what can we do about that? How do we survive? Lookingglass Theatre Company’s latest stage presentation tries to answer those thorny questions through a group of fellow travelers, flung together at a cabin retreat, trying to figure out why (indeed) “Life Sucks.”
HollywoodChicago.com Hookup: 40 Pairs of Passes to ‘Keeping Up With the Joneses’ With Zach GalifianakisSubmitted by HollywoodChicago.com on October 11, 2016 - 11:36pm
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 40 pairs of advance-screening movie passes up for grabs to the new action/comedy “Keeping Up With the Joneses”!
CHICAGO – Tick…tick…tick. That is the sound of your life frittering away, if you choose to experience the 94 minutes, that feels like two weeks, for “Masterminds.” The film that has virtually no laughs – in categorizing itself as a comedy – and is an almost criminal waste of some decent comic talent.
CHICAGO – There are parts of “Birdman” that are absolutely breathtaking, in dialogue, performance and visual acumen. Even its subtitle, “The Unexpected Virtue of Ignorance” has a wonderful payoff. Michael Keaton provides an Oscar worthy performance as the title character.
CHICAGO – You would think that a film written and directed by Matthew Weiner – the creator of “Mad Men” – would be worthwhile company, especially when the cast includes Zach Galifianakis, Owen Wilson and Amy Poehler. It is disappointing to note that not only was this cliché-ridden mess unpalatable, but it also switched gears two-thirds of the way through to evoke a different mood, and that schizophrenia didn’t help the overall product.
CHICAGO – There is a comfort, like a favorite drink in a childhood mug, about Jim Henson’s legendary Muppets and their standard of entertainment and humor. It’s brilliant that Walt Disney Studios continues to understand what makes them work, producing their latest, “Muppets Most Wanted.”
CHICAGO – With a lazy, over-plotted story, and a cast that are desperately going through the motions, “The Hangover Part III” is the latest example of a contract obligation disguising itself as a movie. Writer/director Todd Phillips sluggishly pounds out another one, with simply no originality.
CHICAGO – Jay Roach’s “The Campaign” should have been a slam dunk. A political comedy during an intense Presidential campaign with two of the funniest actors in movies today from a director who knows how politics can make for bizarre behavior after helming HBO’s stellar “Campaign Change” about Sarah Palin & John McCain. How could it fail? While “The Campaign” isn’t an outright disaster, it’s ultimately a disappointment, taking easy shots at physical humor and sex jokes instead of the clever satire it could have been.
CHICAGO – Will Ferrell makes several new proclamations loud and clear: he’s a comic dream-team duo with Zach Galifianakis in “The Campaign,” punching a baby and then a dog are seriously funny and real-life politics should take a lesson from this over-the-top smear campaign.
CHICAGO – Todd Phillips has huge balls. Never before has a sequel hit SO many of the exact same beats as its predecessor. More of a remake of the film that came before than most slasher franchises, “The Hangover Part II” is the definition of more of the same. You can see Phillips going through the motions — they liked the first one, let’s give it to ‘em again with a bit of Thai flavor and more Ken Jeong. The result is a film that feels remarkably familiar with a few laughs, some decent comedic chemistry, and some daring humor, but a work that just reeks of lazy filmmaking.
CHICAGO – Animated family films have made a pact with their audience. For our participation – and extra 3D glasses fee – they deliver the latest in computer generated eye candy, familiar voice talent and heroes that always win while making pop culture references. Antonio Banderas is “Puss in Boots.”