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Glen Hansard

Top Five Irish Films: ‘Into the West,’ ‘Once,’ ‘The Commitments,’ ‘Bloody Sunday,’ ‘The Wind That Shakes the Barley’

HOLLYWOOD – Someone once said there are two kinds of people: “Those who are Irish and those who wish they were Irish.” While mom claimed I was the first, being an American for a few generations tossed me into the “mutt” category. If there truly is Irish in me, it’s in my big toe or my ring finger, which hardly makes me the Irish lass I had hoped.

Critic’s Pick: Irish Indie Film ‘Once’ Begins 14-Day U.S. Tour

CHICAGO – While full coverage with interviews will follow a Chicago press day on May 8, 2007, I stand by the Irish indie film “Once” now as a critic’s pick.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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