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Glen Hansard

Top Five Irish Films: ‘Into the West,’ ‘Once,’ ‘The Commitments,’ ‘Bloody Sunday,’ ‘The Wind That Shakes the Barley’

HOLLYWOOD – Someone once said there are two kinds of people: “Those who are Irish and those who wish they were Irish.” While mom claimed I was the first, being an American for a few generations tossed me into the “mutt” category. If there truly is Irish in me, it’s in my big toe or my ring finger, which hardly makes me the Irish lass I had hoped.

Critic’s Pick: Irish Indie Film ‘Once’ Begins 14-Day U.S. Tour

CHICAGO – While full coverage with interviews will follow a Chicago press day on May 8, 2007, I stand by the Irish indie film “Once” now as a critic’s pick.

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  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.

  • Black White Love Play

    CHICAGO – The love story of a prominent Chicago celebrity couple becomes the basis for a metaphoric and tuneful celebration about courage and coming together. “The Black White Love Play: The Story of Chaz & Roger Ebert” – written and directed by Black Ensemble Theater’s Jackie Taylor – portrays the film critic and the civil rights lawyer in their time, but also creates an atmosphere of emotion through song, sorrow and jubilation.


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