CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.
Gone Baby Gone
CHICAGO – For a film adapted from “Mystic River” and “Gone Baby Gone” author Dennis Lehane, there are no children in danger in “The Drop,” but there is a pit bull puppy named Rocco. The dog’s involvement in the story, an animal who gets as many closeups this side of a Charles Martin Smith film, invites the uncharacteristically blunt metaphor of how creatures fight for power, or even just the impression of power.
CHICAGO – Only three years since the Chicago Film Critics Association awarded Ben Affleck as our most promising filmmaker, he’s back in the director’s seat a second time with “The Town”. While the film dramatically centers on the business of robbery in his familiar streets of Boston, Affleck importantly proves that his 2007 Oscar-nominated film “Gone Baby Gone” wasn’t just beginner’s luck.
CHICAGO – It wasn’t that long ago when Ben Affleck was an unknown. Fortune eventually smiled upon him and along came quality performances in independents and an Academy Award for screenwriting.