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Michelle Monaghan

Story Too Broad to Execute in ‘Machine Gun Preacher’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – When one movie has an ex-con, drug retribution violence, his religious conversion, his building of a church, his preaching, his trip to Southern Sudan in Africa, his opening of an orphanage and his family, then it’s too big a story to tell. Therein lies the challenge for “Machine Gun Preacher.”

Jake Gyllenhaal, Michelle Monaghan Star in Thrilling ‘Source Code’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Duncan Jones announced his arrival on the sci-fi scene with such authority with the excellent “Moon” that genre fans were naturally concerned about a sophomore slump. Worry no more. “Source Code” may first feel like a more traditional thriller but it’s clearly cut from the same cloth as “Moon” in that it takes the impossible and makes it human, even spiritual. Like the best sci-fi, “Source Code” is both entertaining and thought-provoking. It’s a great slice of entertainment that you’ll want to relive as soon as it’s done playing.

Robert Downey Jr., Zach Galifianakis Are an Odd Pair in Funny ‘Due Date’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – There is a strong temptation to lead this review with “Hey, ‘Due Date,’ ‘Planes, Trains and Automobiles’ just called, they want their plot back,” but this Robert Downey Jr. and Zach Galifianakis star vehicle drives on its own strange vibe, part road trip and part comedy that depends on suspension of all reality. Yet it mostly works.

In ‘Gone Baby Gone’ Directorial Debut, Ben Affleck Matures Into Polished Auteur

Rating: 4.5/5CHICAGO – It wasn’t that long ago when Ben Affleck was an unknown. Fortune eventually smiled upon him and along came quality performances in independents and an Academy Award for screenwriting.

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    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

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