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Clint Eastwood

Bradley Cooper’s ‘American Sniper’ is Entertaining, One-Sided American Propaganda

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – I understand why they did it. But that doesn’t make it right to do.

In order to earn sign-off from Chris Kyle’s family and the U.S. Navy – and to appease the patriotic American public – “American Sniper” needed to make the U.S. military’s most lethal sniper nicer than he actually was and generalize a people as people you should hate.

Lack of Full Disclosure Trips Up ‘American Sniper’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – A straightforward story about the military marksman Chris Kyle is pretty much told in “American Sniper,” by director Clint Eastwood. But what is left out of the movie – Kyle’s right wing politics and a depiction of his fate – is more curious than what is actually presented.

‘Jersey Boys’ Can’t Escape Its Broadway Roots

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Director Clint Eastwood’s “Jersey Boys” suffers from the same inherent fundamental flaw in all of these so-called Jukebox Musicals – their stories are mere afterthoughts. You come for the songs, and suffer through the story. They have the narrative equivalent of chicken wire and chewing gum, patchwork filler to tie the songs together.

Clint Eastwood Whiffs in ‘Trouble with the Curve’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Clint Eastwood keeps going and going. His reputation as an actor is secure in a long career, and his power as a director is Oscar worthy. His ability to recognize a limp script? Not so much, if “Trouble with the Curve” is a gauge. Amy Adams and Justin Timberlake are along for the pitch.

Leonardo DiCaprio Embodies the G-Man in ‘J. Edgar’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Much of history is determined by the petty quirks and strange psychosis of “great leaders.” J. Edgar Hoover, FBI director for 48 years, worked hard to hide his very nature by squelching the nature of others – enemies, friends and perceived enemies. Leonardo DiCaprio is Hoover in “J. Edgar.”

Clint Eastwood, Matt Damon Deliver Poignant ‘Hereafter’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Clint Eastwood’s “Hereafter” is a dramatic examination of a subject rarely dealt with in American cinema with even an ounce of honest emotion: What happens after we die.

Clint Eastwood, Morgan Freeman Deliver Predictable Drama With ‘Invictus’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Director Clint Eastwood has given up on subtlety, choosing instead to tell old-fashioned, direct stories with as much technical skill and dramatic competency as possible. There’s nothing particularly wrong with the legendary director’s “Invictus,” but it’s also not nearly as memorable or thrilling as it could have or, given the true story that it tells, should have been.

Clint Eastwood Idles With Caricature Over Character in ‘Gran Torino’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – With his second film in just a few months, Clint Eastwood makes one of his biggest missteps of his illustrious career as one of the more esteemed American directors in the history of the medium.

In ‘Gone Baby Gone’ Directorial Debut, Ben Affleck Matures Into Polished Auteur

Rating: 4.5/5CHICAGO – It wasn’t that long ago when Ben Affleck was an unknown. Fortune eventually smiled upon him and along came quality performances in independents and an Academy Award for screenwriting.

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