HollywoodChicago.com RSS   Facebook   HollywoodChicago.com on Twitter   Free Giveaway E-mail   

Spike Lee

Spike Lee’s ‘Oldboy’ Remake Merely Echoes Superior Original

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

After years in development hell, Spike Lee’s remake of Park Chan-wook’s beloved “Oldboy” is finally here. Does it live up to the high expectations set by the original? Does it mark a return to form from the director of some of the most important movies of his era or is it another disappointment? No and no. Sadly, what’s so remarkable about “Oldboy,” especially when one considers the darkness of its themes and graphic violence, is that it’s just so forgettable. It’s an echo of Park’s film and will be quickly dismissed in the legacy of its director.

Spike Lee Returns to Brooklyn in Controversial ‘Red Hook Summer’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “I ain’t pawning my responsibility off as a parent and saying she’s in God’s hands.” What a powerful line. The idea that religion has been used as a crutch, an excuse for communities who preach that God will save their young ones when they need to do their part is a passionate and powerful one.

In ‘Gone Baby Gone’ Directorial Debut, Ben Affleck Matures Into Polished Auteur

Rating: 4.5/5CHICAGO – It wasn’t that long ago when Ben Affleck was an unknown. Fortune eventually smiled upon him and along came quality performances in independents and an Academy Award for screenwriting.

Hot stories on the Web


Syndicate content

User Login

Free Giveaway Mailing

TV, DVD, BLU-RAY & THEATER REVIEWS

  • 47 Ronin with Keanu Reeves

    CHICAGO – If you’ve ever wondered what the difference is between a director and a producer, let “47 Ronin” explain how the hierarchy of creativity hinders the evolution of even the most straightforward-sounding pitches. “47 Ronin” is the type of samurai movie set in Japan that features native actors speaking only English, while Keanu Reeves stars as an outsider clearly plunked into the picture for stateside star power.

  • A Field in England (teaser)

    CHICAGO – I can’t recommend this more. “A Field in England” is a flashback and a flash forward all at once. It’s impossible to watch without thinking of great counter culture cinema. In fact when I saw it at Fantastic Fest 2013 it played as part of a double bill with Ken Russell’s “The Devils” (1971). They made perfect cinematic companion pieces. Russell’s film concerned a wayward priest desperate to protect his 17th century city from corruption in the Church only to fall victim to group hysteria when he is, ironically, accused of witchcraft by a jealous nun.

Advertisement


HollywoodChicago.com on Twitter

archive

HollywoodChicago.com Top Ten Discussions
tracker