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Jeremy Renner

‘Avengers: Age of Ultron’ More Exhausting Than Exhilarating

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “The Avengers: Age Of Ultron” is another overstuffed, action packed CGI addled slugfest from the Marvel Cinematic Universe. but the effects are exhausting instead of exhilarating. What has set the Avengers apart is the great interplay between the characters – and when the movie stops to take a breath, those relationships shine through.

Rousing ‘Avengers: Age of Ultron’ Hits Modern Society’s Central Nervous System

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGOLook. We all know sequels usually suck. And blockbuster films often get panned for overprioritizing special effects at the expense of a well-written story and character development. Even when a story in a big-budget film is redeeming, it’s practically impossible not to shoot holes through it.

Mixed Bag of Marvel Tricks in ‘Avengers: Age of Ultron’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Whew. There is so much going on in “Avengers: Age of Ultron” that you practically need a program to keep up with the players. This mixed bag has overwrought comic book action, head shaking plot points, and the usual Marvel angst that includes some riveting scenes.

Meet the Press in Illuminating ‘Kill the Messenger’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – When journalists were heroes and exposed those in power for their sins, movies were made like “All the President’s Men.” Gary Webb of the San Jose Mercury News was one of those journalist heroes during the 1990s, but he wasn’t celebrated in his time. The indictments, induced paranoia and outright lies against him are distinctly chronicled in the luminary “Kill the Messenger.”

Dark, Stunning Tale of American Dream in ‘The Immigrant’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Just in time for a national holiday is the release of two films about surviving as “the outsider” in a tumultuous American society. “X-Men: Days of Future Past” isn’t the only movie that opines about how the outsider will survive in America, but James Gray’s “The Immigrant” does too, a film that takes the story of a Polish woman traveling through the course of Ellis Island and deconstructs her tale as an American nightmare.

Great Performances Drive Entertaining ‘American Hustle’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

As career con man Irving Rosenfeld (Christian Bale) introduces newly-undercover FBI agent Richie DiMaso (Bradley Cooper) to his world of criminal enterprise, he shows him a Rembrandt painting in a museum, revealing that it’s a fake. Millions of people have seen and admired it, not realizing that it’s not the original. Does it matter if they get the same artistic enjoyment out of it?

Jeremy Renner Propels Clever ‘The Bourne Legacy’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Tony Gilroy’s world of double crosses, super spies, and covert government programs returns in the writer/director’s clever expansion of the world he created as the writer of “The Bourne Identity,” “The Bourne Supremacy,” and “The Bourne Ultimatum.” The Oscar winner doesn’t just offer a traditional sequel, presenting a new leading man and a story that takes place in the same world of international espionage as its predecessors but feels more like a spin-off than a follow-up.

Summer Movie Season Explodes with ‘The Avengers’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – When I was a kid, summer movies were an event. They weren’t just marketing tricks, young adult adaptations, or unnecessary sequels. They were blockbusters that you put on the calendar and counted the days until their arrival. Something of that summer movie magic has been lost in recent years – the sense that you weren’t just seeing a movie, you were experiencing something special.

‘Mission: Impossible: Ghost Protocol’ Rocks Your Holiday

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Brad Bird proves that he can make the leap from Pixar to action with one of the best genre films of the year, the adrenalized “Mission: Impossible – Ghost Protocol.” Proving there is a way to make a big budget franchise installment that feels vibrant, alive, and like more than just a pathetic retread of what has come before (unlike this year’s “Pirates of the Caribbean” and “Sherlock Holmes” entries), “Ghost Protocol” delivers with breakneck pace and stellar action choreography. This movie wastes little time – it’s a lean, mean, action machine.

Ben Affleck’s ‘The Town’ Proves ‘Gone Baby Gone’ Wasn’t Beginner’s Luck

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Only three years since the Chicago Film Critics Association awarded Ben Affleck as our most promising filmmaker, he’s back in the director’s seat a second time with “The Town”. While the film dramatically centers on the business of robbery in his familiar streets of Boston, Affleck importantly proves that his 2007 Oscar-nominated film “Gone Baby Gone” wasn’t just beginner’s luck.

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  • Lori Petty, photo by Joe Arce

    CHICAGO – Lori Petty will never be predictable, nor put into some show business box. The free-wheelin’ Ms. P applies her expansive performance skills to the role of Lolly – a guest spot that turned into a recurring character – on Netflix’s hot series “Orange is the New Black,” which released its third season on June 12th, 2015.

  • The Projects

    CHICAGO – The legacy of public housing is one of the strangest forces of karma in the City of Chicago. For example, sites that were once some of the roughest and most neglected housing for the poor now contain luxury condos. It is the people of those former hellholes that still remember the sorrowful history of what they once called home. The American Theater Company (ATC) have gathered these stories for the poignant and extraordinary “The Projects.”

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