Jeremy Renner

Rating: 3.5/5.0

CHICAGO – Tony Gilroy’s world of double crosses, super spies, and covert government programs returns in the writer/director’s clever expansion of the world he created as the writer of “The Bourne Identity,” “The Bourne Supremacy,” and “The Bourne Ultimatum.” The Oscar winner doesn’t just offer a traditional sequel, presenting a new leading man and a story that takes place in the same world of international espionage as its predecessors but feels more like a spin-off than a follow-up.

Rating: 4.5/5.0

CHICAGO – When I was a kid, summer movies were an event. They weren’t just marketing tricks, young adult adaptations, or unnecessary sequels. They were blockbusters that you put on the calendar and counted the days until their arrival. Something of that summer movie magic has been lost in recent years – the sense that you weren’t just seeing a movie, you were experiencing something special.

Rating: 4.0/5.0

CHICAGO – Brad Bird proves that he can make the leap from Pixar to action with one of the best genre films of the year, the adrenalized “Mission: Impossible – Ghost Protocol.” Proving there is a way to make a big budget franchise installment that feels vibrant, alive, and like more than just a pathetic retread of what has come before (unlike this year’s “Pirates of the Caribbean” and “Sherlock Holmes” entries), “Ghost Protocol” delivers with breakneck pace and stellar action choreography. This movie wastes little time – it’s a lean, mean, action machine.

Rating: 4.0/5.0

CHICAGO – Only three years since the Chicago Film Critics Association awarded Ben Affleck as our most promising filmmaker, he’s back in the director’s seat a second time with “The Town”. While the film dramatically centers on the business of robbery in his familiar streets of Boston, Affleck importantly proves that his 2007 Oscar-nominated film “Gone Baby Gone” wasn’t just beginner’s luck.

Rating: 5.0/5.0

CHICAGO – Filmmaking simply doesn’t get much more riveting than Kathryn Bigelow’s incredible “The Hurt Locker,” a cinematic experience unlike any other that you will have this year. Building and releasing tension better than her peers have in a long time, Bigelow has made not only the best Iraq War movie to date but the best film of 2009 at just over the halfway point.