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Emily Blunt

‘A Quiet Place’ Will Make You Wish You Had a Quiet Place to Hide

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO - Terror and fear take several forms. Sometimes it’s something as simple as spiders or snakes or even an incompetent president. Other times it can take the form of natural states, like darkness. Horror films channel our fears, but the great ones give us something new to fear. “A Quiet Place” lures us in with the safety of silence, only to reveal the monsters hiding within.

‘The Girl on the Train’ is a Book Club ‘B’ Movie

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “The Girl On The Train” is a decent enough “Book Club” movie potboiler – it passes the time away, but never quite rises above the pulpiness of its source material. It desperately wants to recreate the suburban upper-class ennui and tone from last year’s “Gone Girl.” But while that film had David Fincher behind the camera, this one has Tate Taylor, the director of “The Help.”

‘The Huntsman: Winter’s War’ is a Bloated Bore

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – This new Hollywood fairy tale does have one thing in common with the bedtime stories of old…it may lull you to sleep in the first 30 minutes. “The Huntsman: Winter’s War” is a special effects extravaganza where the effects aren’t special, the story is thin, and almost all the actors seem to have been allowed or even encouraged to indulge their worst impulses.

Benicio Del Toro is Never Better in Standout 2015 Thriller ‘Sicario’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Seeing the man behind the curtains in “The Wizard of Oz” really was when so many of us truly understood what “behind the scenes” means. Today, we’re fascinated by FBI and CIA stories because they grant us top-secret security clearance we’ll otherwise never have.

Four Fairy Tales Charmingly Unite in Hollywood, Broadway Merger of ‘Into the Woods’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Neither Hollywood nor purely Broadway, Disney’s big-screen adaptation of the Stephen Sondheim musical “Into the Woods” finds a charming home on Hollyway. Even if you’re not a “musical kind of person,” I challenge you not to want to sing along to the catchy tunes or laugh at the intentionally overdramatic comedy.

‘Edge of Tomorrow’ is a Fleet-Footed Popcorn Movie

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “Edge Of Tomorrow” is a high concept, fast of foot popcorn movie that knows how to deliver the goods. While this futuristic sci-fi take on “Groundhog Day” doesn’t break any new ground, it does see that intriguing concept through to a fulfilling and crowd pleasing conclusion.

Wondrous Last Act for Hayao Miyazaki in ‘The Wind Rises’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – The master animator and film legend Hayao Miyazaki (“Howl’s Moving Castle,” “Spirited Away,” “Princess Mononoke”) announced his retirement after his latest film, “The Wind Rises.” He is often called “Japan’s Walt Disney,” but there is more to him then that, a soul and a mystery that is revealed in the stages of his animated art, and his contribution to artistic culture will continue to influence for generations to come. “The Wind Rises” is nominated for Best Animated Film at the 2014 Academy Awards.

Phony Emotional Connections Trip Up ‘Arthur Newman’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – In what could be subtitled, “The Challenge of American Accents,” the new release “Arthur Newman” has a laugh-inducing U.S. inflection face-off between Brits Colin Firth and Emily Blunt. Amid that obstacle, there is a lame road picture that emotionally is false, and makes no sense.

Stunning, Creative Vision of ‘Looper’ with Joseph Gordon-Levitt

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – It’s so refreshing to see a talented filmmaker that has been allowed to bring his unique vision to the screen without compromise. You know the feeling when you’re watching a product of a marketing focus group or producer interference and when you’re seeing something fresh, new, and personal.

Great Trio Elevates Lynn Shelton’s ‘Your Sister’s Sister’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Lynn Shelton’s “Your Sister’s Sister” is a character-driven piece about hidden feelings and complex relationships. Like her work on “Humpday,” Shelton has a keen ear for the way people alter their behavior as their dynamics with other people continue to shift, often in a sexual direction. When a close friend suddenly looks like something more, when a long-term relationship seems to be falling apart, when a sibling may have betrayed you – Shelton’s gift as a filmmaker is how she can traverse these emotional minefields while still staying true to her characters.

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  • Cher Show, The

    CHICAGO – Cherilyn Sarkisian… yes, that is her birth name… is the redoubtable Cher, and it’s perfect timing for her to have a jukebox musical tribute. “The Cher Show,” covering three eras/songs of the six-decade career of Cher, opens for a Chicago preview before its Broadway run, from June 12th through July 25th, 2018.

  • ThroatPunch

    CHICAGO – The provocative title of Sharon Krome’s new stage play, “ThroatPunch,” does not contain that particular fight technique. But it does have standout performances by the three person cast, as they make their way in Chicago, circa 1983, amid their emerging twentysomething punk rock attitude. The World Premiere of the show has a Thursday-Sunday run at the Chicago Mosaic School through June 3rd, 2018. Click here for more details, including ticket information.

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