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Meryl Streep

Family Secrets, Fine Acting in ‘August: Osage County’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – There will be inevitable comparisons to the Pulitzer Prize winning stage version of “August: Osage County” from the thousands of people who have been touched by the stage play. But in giving the film version a chance, there is the same passion, drama and heat of family dysfunction within it, with a dream cast.

Meryl Streep, Tommy Lee Jones Elevate ‘Hope Springs’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – It can be argued that Meryl Streep is in the most fruitful period in her long and illustrious career, at least as far as the variety of character parts she has undertaken. She co-stars in “Hope Springs” with Tommy Lee Jones, as a mousy Omaha wife who is looking for a change in her marriage.

Earth Day Honored With IMAX Film ‘To the Arctic 3D’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – A second major Earth Day film has emerged from the weekend, along with Disney Studio’s “Chimpanzee.” The documentary “To the Arctic 3D,” narrated by Meryl Streep, is a cautionary and virtuous look at life on the ice caps at the top of the world. The IMAX film has a spectacular vision, showing a planet’s necessary ecosystem in a troubling meltdown state.

Meryl Streep Accentuates Margaret Thatcher in ‘The Iron Lady’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – It would be a cheap jab to say that “The Iron Lady” is a drag version of “J. Edgar,” and also redundant (hyy-ooh). Meryl Streep takes on the role of former British Prime Minister Margaret Thatcher, with a dreamy and vague interpretation of the PM’s life that at times feels like it’s told through the wrong end of a telescope.

Meryl Streep, Alec Baldwin, Steve Martin Shine in ‘It’s Complicated’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Referring to her new film, “It’s Complicated,” Meryl Steep recently said, “It’s incredible, I’m playing the romantic lead in romantic comedies. Bette Davis is rolling over in her grave.” Tell Kate Hepburn the news.

‘Julie & Julia’ Misses Some Ingredients But Still Goes Down Smoothly

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Like a long meal at a good restaurant where no one can agree on the best course of the evening, Nora Ephron’s “Julie & Julia” with Amy Adams and Meryl Streep will have different highlights for different viewers.

Despite Smothered Direction, ‘Doubt’ Brings Out Best in Performers

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The inherit drama of a Catholic priest accused of molesting an African American boy during the 1960s would be enough to make for an interesting film on its own. In “Doubt,” this is one of the less-explored themes writer and director John Patrick Shanley examines.

Despite Rollercoaster Energy, ‘Mamma Mia!’ Bellows Beloved ABBA Vocals With Feel-Good Appeal

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – While it’d be embellishment to say you’d have the time of your life at the new musical film “Mamma Mia!,” any dancing queen or an admirer of seeing Pierce Brosnan croon a tune instead of trigger James Bond destruction can at least have some of the time of your 108 minutes.

‘Rendition’ a Mediocre Message Movie With What Should Be Self-Evident Politics

HollywoodChicago.com Oscarman rating: 3/5AUSTIN, Texas – German writer Franz Kafka meets the war on terror in “Rendition,” which is a message movie with what one would consider a self-evident message: torture is bad. We live in a political climate, though, where that isn’t self-evident.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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