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Paul Giamatti

Big Spectacle, Small Heart in ‘The Amazing Spider-Man 2’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – For a film with so much eye candy that it threatens ocular diabetes, “The Amazing Spider-Man 2” is decidedly low in story rhythm and energy – even with a villain named Electro. The story also has the “three villain syndrome,” which allows for a lack of focus and heart.

Celebration of Creation in Warm ‘Saving Mr. Banks’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The world of creation, and the imagination behind it, gets an honorable and elegantly performed treatment in the fascinating “Saving Mr. Banks.” What seems like a “making of” film about the legendary “Mary Poppins,” becomes much more rich in symbolism and consideration.

New ‘Romeo and Juliet’ is Almost Passable if You Haven’t Seen It, Unnecessary if You Have

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – When I walked out of my screening for 2013’s “Romeo and Juliet” with Hailee Steinfeld (Oscar nominated for “True Grit”) and London’s Douglas Booth (previously unknown to the U.S.), I had to remember that not everyone’s seen this story in one way or another.

‘Parkland’ Starkly Recreates November 22, 1963

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – It’s been close to 50 years since 11/22/1963, the day when a certain American innocence was lost with the assassination of President John F. Kennedy. In time for that anniversary, is the excellent film overview entitled “Parkland.”

Light, Speedy ‘Turbo’ is a Great Race for Kids

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Summer vacation means summer animated movies, and nothing will give the kids more of a break than rooting for a snail that becomes as fast as an Indy race car. Why not put him in the Indianapolis 500? Ryan Reynolds is the voice of that miracle mollusk named “Turbo.”

‘John Dies at the End’ Kills Its Own Creativity

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – You’re at a party. It’s getting late. Chemicals have been ingested, booze has been imbibed, and conversation has been exhausted. You spot an interesting looking fella in the corner and he says he has a story to tell you. Maybe it’s the rush of something different, but the first half hour of that story is fascinating, filled with potential and creative in so many ways.

Robert Pattinson Takes Interesting Ride Through David Cronenberg’s ‘Cosmopolis’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – One of our best living filmmakers, one of our best working authors, and a teen heartthrob who has largely been known for looks over skill get into a slow-moving limousine in David Cronenberg’s adaptation of Don DeLillo’s “Cosmopolis” starring Robert Pattinson in almost exclusively one-on-one scenes with some great supporting actors and actresses.

Tom Cruise, Julianne Hough Have Fun in ‘Rock of Ages’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Although the jukebox musical needs an available pasture to be put out onto, the new film “Rock of Ages” – based on the Broadway stage play – improves on that genre by having a little fun and lots of tongue-in-cheek. Tom Cruise, Julianne Hough, Alec Baldwin and Russell Brand rock the cashbox.

Ryan Gosling, George Clooney in ‘The Ides of March’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – George Clooney’s “The Ides of March” is a star-studded political thriller of the variety that was made much more commonly in the ‘70s and would therefore seem like a perfect vehicle to restart for today’s controversial times. We could use more political thrillers with complex dialogue aimed at adults to offset the fact that a vast majority of motion pictures are aimed at children.

‘The Hangover Part II’ a Funny, Formulaic, Desperately Shocking Carbon Copy

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Business and creative people go together as well as fine wine at a burger joint. Riding on the heels of the monumentally profitable “The Hangover,” the brass win out over the artists in “The Hangover Part II”.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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