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George Clooney

Approach of ‘Money Monster’ is Pure Fraud

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – In our society there is one eternal truth…the rich will ALWAYS win, that’s one of the reasons that they are rich. So when “Money Monster” attempts to take them down a peg with a ridiculous fantasy story, it’s as fraudulent as what they pretend to be fighting. An oligarch watches this, and laughs at us.

‘The First Monday in May’ Confirms That Life is Beautiful

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – The moral of the story of “The First Monday in May” definitely is “there is heaven on earth if the right angels come together.” The film is stunningly beautiful, as it chronicles the development of the annual costume exhibit and gala at the New York Metropolitan Museum of Art.

‘Hail, Caesar!’ is Coen Bros. Excellence for Movie Lovers

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Writer/directors Joel and Ethan Coen love the movies, and that love is magnificently played out in “Hail, Caesar!” As they riff on religion, geopolitics and 1950s morality, while wonderfully celebrating and spoofing an era in movies that will never be again, the Coens abide and deliver.

Awe Factor is Sorely Lacking in ‘Tomorrowland’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – For a movie all about the awesome power of inspiration, innovation and wonder, “Tomorrowland” has precious little of its own. “Tomorrowland” the title promises a kind of retro futuristic world where anything is possible, but “Tomorrowland” the movie rarely delivers anything approximating joy.

‘The Monuments Men’ Has Been Drained of Personality

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

George Clooney’s “The Monuments Men” is processed cheese. It is a film that has been rewritten, edited, and refined until it has lost all sense of purpose or identity. There’s no flavor left. It is a film that defies genre; not quirky enough to have a comedic personality despite a cast that almost always supplies edge and not engaging enough to work as drama or thriller.

‘Gravity’ is a Visionary Expansion on Our Humanity

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Space looks like a vast, dark ocean in the new film “Gravity,” with the sparkling blue orb of our planet Earth beckoning the voyagers on that ocean homeward. Co-writer/director Alfonso Cuarón fashions a metaphoric dreamscape that places the small molecules of human beings within the vast expanse, fighting to understand the value of their place in that sea of cosmos.

Alfonso Cuaron’s ‘Gravity’ Rekindles Wonder of Cinema

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – There used to be a stronger sense that films could take us someplace new. From the days of audience members screaming at the train coming at the camera because they didn’t understand that they wouldn’t be run over to Dorothy’s trip to Oz to young Skywalker’s family problems, movies captured a sense of wonder that’s been lost in an era when CGI is in KFC commercials and it feels like Hollywood has run out of new places to take us.

George Clooney Stars in Stunning ‘The Descendants’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – If one looks solely at the central male characters, it can seem remarkably easy to classify Alexander Payne’s movies under the subgenre heading of “mid-life crisis comedies”: Jim McAllister (“Election”), Warren Schmidt (“About Schmidt”), Miles (“Sideways”), and now the memorable protagonist of his stellar new dramedy “The Descendants,” Matt King.

Ryan Gosling, George Clooney in ‘The Ides of March’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – George Clooney’s “The Ides of March” is a star-studded political thriller of the variety that was made much more commonly in the ‘70s and would therefore seem like a perfect vehicle to restart for today’s controversial times. We could use more political thrillers with complex dialogue aimed at adults to offset the fact that a vast majority of motion pictures are aimed at children.

George Clooney Does it Italian Style in Excellent ‘The American’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – What if the most dangerous and pursued assassin in the world began to develop a flaw in his delivery, due to the vulnerability of simple human contact? Where does religion, carnality and love fit in that connection? George Clooney plays that assassin-type in “The American,” holed up for one more job, the job that might answer both of those questions.

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  • King and I, The

    CHICAGO – The venerable musical “The King and I,” by the legendary team of (Richard) Rodgers and (Oscar) Hammerstein, is now 65 years old. The Lyric Opera of Chicago is injecting fresh life into this senior aged play, with a sumptuous new production that is top drawer at every level.

  • New Country

    CHICAGO – The Country Music industry has become as huge as any category of music entertainment. So Mark Roberts, the creator of the TV sitcom “Mike & Molly,” has fashioned a boisterous new play about the machinations of that genre of music industry, and gave it the plaintive title of “New Country.”

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