CHICAGO – If you can remember the 1990s outside of childhood, you are in the glow of middle age, so congratulations. The Brown Paper Box Co. theater ensemble takes us back to those thrilling days of yesteryear with “Spike Heels,” a relationship comedy centering on the co-mingling antics of two couples, with a slight nod toward George Bernard Shaw and the play “Pygmalion” (or its musical counterpart, “My Fair Lady”).
CHICAGO – I have to say while watching Johnny Depp in “Mortdecai,” I found myself amused. I rarely elicited anything more than a slight chuckle, but its indomitable spirit of silliness made it a not entirely unpleasant evening out.
CHICAGO – John Wells’ adaptation of Tracy Letts’ “August: Osage County” is a movie that fell off the radar in 2013 during the busiest time of the year. When we were all caught up in narratives of lone survival, or tales of how this country was morally eroded by financial excess, this loud ode to miserable family gatherings moved into theaters, scooped up a couple of Oscar nominations for its revered talent (Meryl Streep & Julia Roberts), and then vanished.
CHICAGO – There will be inevitable comparisons to the Pulitzer Prize winning stage version of “August: Osage County” from the thousands of people who have been touched by the stage play. But in giving the film version a chance, there is the same passion, drama and heat of family dysfunction within it, with a dream cast.
CHICAGO – Gathering an ensemble cast for a film version of a Pulitzer Prize winning stage play is a tricky assignment. Some of the actors selected for “August: Osage County” – play and screenplay by Tracy Letts – are a mix of veterans (Juliette Lewis, Margo Martindale) and relative newcomers (Julianne Nicholson).
CHICAGO – Highly anticipated! In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 40 pairs of advance-screening passes up for grabs to the darkly searing “Tracy Letts” comedy “August: Osage County” starring Meryl Streep!
CHICAGO – Every element of “Jack the Giant Slayer,” released today on Blu-ray and DVD, feels like a subpar version of something done better in a superior film. There’s the epic scope and final siege of a “Lord of the Rings” film. There’s the reimagined fairy tale not unlike “Alice in Wonderland” or “Oz the Great and Powerful.”
CHICAGO – The trend of taking ancient fairy tales – “Hanzel and Gretel” and “Snow White,” for example – and converting them into computer generated mega-pictures is peculiar, and glaringly profitable (no “rights” to buy). The latest, “Jack and the Giant Slayer,” has some fun up the beanstalk again.
CHICAGO – Juan Antonio Bayona’s “The Impossible” captures what its title implies. It transports us to an unimaginable situation, into an absolute nightmare in which air is replaced by rushing water, families are ripped apart, and people’s lives hang in the balance. It is a remarkable achievement in filmmaking, a film that is at times devastating, at times emotional, at times inspirational, and always riveting. It’s one of the best films of 2012.
CHICAGO – Juan Antonio Bayona’s “The Impossible,” starring Tom Holland, Naomi Watts, and Ewan McGregor, is one of the most emotionally wrenching films in years (and my #7 film of 2012). The movie recreates the devastating 2004 tsunami through the true story of a family that was there when it happened.
CHICAGO – “Salmon Fishing in the Yemen” is a romantic comedy so lightweight that it threatens to float off into the ether. It has perhaps the least gripping title since Ingmar Bergman’s “Sawdust and Tinsel,” which is strange since the rest of the production reeks of commercial calculation. Yet the film is based on Paul Torday’s book of the same name, so the studio must have considered the title marketable.