CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – Change can be a frightening part of life and the human experience. It is an unavoidable but often necessary transition for progress. If you fight change or innovation, the stagnation alone will weigh you down and hold you back. “American Pastoral” may deal with the themes of revolution, but that’s about all that is revolutionary or unique about this film.
CHICAGO – Like improvisational jazz, the performance career of Don Cheadle has many moods, directions and shadings. For his latest film, he takes on the titles of co-writer and director, along with the lead role of music legend Miles Davis. This all comes together is the aptly titled “Miles Ahead.”
CHICAGO – I have to say while watching Johnny Depp in “Mortdecai,” I found myself amused. I rarely elicited anything more than a slight chuckle, but its indomitable spirit of silliness made it a not entirely unpleasant evening out.
CHICAGO – John Wells’ adaptation of Tracy Letts’ “August: Osage County” is a movie that fell off the radar in 2013 during the busiest time of the year. When we were all caught up in narratives of lone survival, or tales of how this country was morally eroded by financial excess, this loud ode to miserable family gatherings moved into theaters, scooped up a couple of Oscar nominations for its revered talent (Meryl Streep & Julia Roberts), and then vanished.
CHICAGO – There will be inevitable comparisons to the Pulitzer Prize winning stage version of “August: Osage County” from the thousands of people who have been touched by the stage play. But in giving the film version a chance, there is the same passion, drama and heat of family dysfunction within it, with a dream cast.
CHICAGO – Gathering an ensemble cast for a film version of a Pulitzer Prize winning stage play is a tricky assignment. Some of the actors selected for “August: Osage County” – play and screenplay by Tracy Letts – are a mix of veterans (Juliette Lewis, Margo Martindale) and relative newcomers (Julianne Nicholson).
CHICAGO – Highly anticipated! In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 40 pairs of advance-screening passes up for grabs to the darkly searing “Tracy Letts” comedy “August: Osage County” starring Meryl Streep!
CHICAGO – Every element of “Jack the Giant Slayer,” released today on Blu-ray and DVD, feels like a subpar version of something done better in a superior film. There’s the epic scope and final siege of a “Lord of the Rings” film. There’s the reimagined fairy tale not unlike “Alice in Wonderland” or “Oz the Great and Powerful.”
CHICAGO – The trend of taking ancient fairy tales – “Hanzel and Gretel” and “Snow White,” for example – and converting them into computer generated mega-pictures is peculiar, and glaringly profitable (no “rights” to buy). The latest, “Jack and the Giant Slayer,” has some fun up the beanstalk again.
CHICAGO – Juan Antonio Bayona’s “The Impossible” captures what its title implies. It transports us to an unimaginable situation, into an absolute nightmare in which air is replaced by rushing water, families are ripped apart, and people’s lives hang in the balance. It is a remarkable achievement in filmmaking, a film that is at times devastating, at times emotional, at times inspirational, and always riveting. It’s one of the best films of 2012.