CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – Capturing one of the most familiar woman of the last fifty years would seem impossible, except when focusing on one of the defining moments of her life. “Jackie” reveals Jacqueline Kennedy during the time of her husband John’s assassination, and when the nation lost a president.
CHICAGO – I’ve been quoting Martin Scorsese over the years, that he said “movies are a psychotic’s feverish dream on display.” In searching for those words, I found he never said it. He did say they are “dreams with eyes open.” So let us combine the two quotes in analyzing Terence Malick’s “Knight of Cups.”
CHICAGO – For me and the subculture as a whole, so much of science fiction came from “Star Trek”. If creator Gene Roddenberry were alive today to witness “Thor: The Dark World,” he’d tell it to focus on being a superhero film rather than failing to dabble in science fiction.
CHICAGO – Few major films have felt less creatively inspired and more commercially conceived than Alan Taylor’s dull “Thor: The Dark World,” a wannabe blockbuster with all the personality and ingenuity of a straight-to-DVD sequel.
CHICAGO – This 26-image slideshow contains a selection of ABC-provided red carpet arrival images from the 84th Annual Academy Awards, which were handed out on February 26th, 2012 on ABC. Celebrities featured include Angelina Jolie, Brad Pitt, Nick Nolte, Shailene Woodley, Rooney Mara, Michelle Williams, Meryl Streep, Berenice Bejo, Natalie Portman, Sandra Bullock, Jennifer Lopez, and many more.
CHICAGO – Jar Jar Binks is back, and George Lucas has him in 3D. Yes, the re-release of 1999’s “Star Wars: Episode 1 – The Phantom Menace,” takes advantage of the new 3D technology.
CHICAGO – This summer saw the release of two movies that were basically just appetizers for next year’s full meal in Joss Whedon’s “The Avengers” — “Thor” and “Captain America: The First Avenger.” Both were surprisingly well-received although both fall short of being considered among the best Marvel movies (“Iron Man,” “X-Men: First Class,” “Spider-Man 2”) in part by virtue of so obviously being set-ups for something yet to come. “Thor” works best when one considers where this franchise will go in “Thor 2” and “The Avengers” but is merely average when judged on its own. It’s a decent movie with a decent Blu-ray release that promises more-than-just-decent material to come.
CHICAGO – Anyone who’s witnessed the wonderfully incoherent trailers for “Hesher” is bound to be curious about the film’s true nature. Why does Joseph Gordon-Levitt have a raised middle finger tattooed on his back and why is he jumping off a flaming diving board half-naked? Is this all part of a tongue-in-cheek stunt or do the filmmakers actually harbor serious intentions?
CHICAGO – David Gordon Green’s “Your Highness” still makes me sad. Not only am I giant fan of nearly everyone involved but the concept of a pot-fueled riff on the fantasy-adventure films more popular in the ’80s is a great one. And yet, even watching it again on Blu-ray and DVD, “Your Highness” just sinks, deflating my like a leaky balloon. I’m gonna go cry now.
CHICAGO – Natalie Portman gets betrayed by a seriously flawed screenplay in the melodrama “The Other Woman,” formerly called and based on a book called “Love and Other Impossible Pursuits.” After playing film festivals in 2009, the Don Roos’ film is finally getting a Blu-ray and DVD release to capitalize on Portman’s fame from winning the Oscar for “Black Swan.” Despite typically-strong work by the multi-talented star, the movie’s a tonal mess with an inconsistent screenplay that the strong central performance cannot save.